Crowvus Book Blog

... Our focus book this week is Beneath a Darkening Sky by Judith Crow This collection of gothic horror short stories is a thrilling and terrifying compilation, designed to send shivers down your spine while getting you turning the pages. We love this book because it contains ten brilliant stories that will stick with you long after you've read the final page. But you needn't take our word for it! Here what other readers are saying on Goodreads: "I was so excited to read each one and had a tingly feeling before and after each one. I loved the whole book and was sad when I was on the last story." "I like how quick these stories are, snippets but full stories in their own right. Well written, engaging and thought provoking. Loved it!" "I loved these books flow of the stories and the writing gripped me from the off. I really enjoy fairytale retelling and these were very clever with ghostly folklore and supernatural events woven into them." "I rea...

 Well, this is the last #HistFicThursday blog before I launch Beneath A Darkening Sky at an event in Thurso on Monday 13th . Shame it couldn't be a Friday 13th, but we can't have everything! One thing is for certain: October is the spookiest month. And not just because we have Halloween. Halloween could be a day later and October would still be the spookiest month... Look at how the light retreats at this time of the year: up here, the seasons' turning drains away the daylight at a rate of 2.5hours over the course of this month! Up here, anyway. Our ancestors knew, a long time before they tracked time using clocks, that this month we now call October was a time to look back at what has been and ahead to how we will survive the winter. Is it any wonder then that, with generations of people looking back, October became a month for souls and spectres? People we have loved and lost come back to visit our hearts, imaginations - and, perhaps, our homes - as we recall autumns of ...

 Well, we're so close to release day for Beneath A Darkening Sky , and I've celebrated this by becoming a member of the Horror Writers' Association ! I also had a set of author photos taken in a local graveyard, complete with an entire flock of sheep watching me as some previous visitor had left the gate open for them. So now, I'm faced with the decision of which story to share with you. We've been through a few for this blog series, and I'm left with three: Guidman Trowie (a tale set in Orkney and inspired by the unique folklore of the islands); Moonsong (a love song from a werewolf to the moon); and Eaves-Drip , which is the story I'm going to talk about in this blog.  It's no coincidence that these three stories have been left. Along with Ay Atomics , they're the short and (not-always-very-)sweet ones.  Eaves-Drip was written while we were on holiday in Perthshire one autumn, but it goes back to Lincolnshire, where I grew up.  Lincolnshire is ful...

 I once answered a call for submissions based on ghost stories of my local area. Now, the funny thing with Caithness is: most people seem to believe in - and many people will share stories about how they've witnessed - supernatural happenings around the county. However, there aren't many well-known stories. Of course, there's the standard young-maiden-falling-out-of-castle-window story for at least two of the castles up here, and there's the eerie story of the man whose brother locked him up in Castle Sinclair Girnigoe with no food. Both characters feature in Caithness ghost stories. But it's high time someone actually explored the individual's ghost stories. In fact, that's something I might do, if I ever actually get sufficient time on my hands! Where are the stories which are connected to the "ordinary" buildings? We've been sharing our Stempster Spectres in our monthly newsletters and, believe me, there are plenty of those! A little further...

One of the shortest stories included in my upcoming anthology was written for an Edgar Allan Poe competition in 2021, in which my work came Runner-Up, and is titled The Clockmaker . Edgar Allan Poe is most famous for his works of Gothic Horror, but it is easy to forget that he also dabbled in Science Fiction, as did many of his Gothic contemporaries. Indeed, a quick Google search has informed me that there are anthologies which solely contain his Science Fiction. The Clockmaker was designed to marry these Horror and SciFi elements to create the sort of story which Poe himself might have written. I won’t deny it: I was pleased with the outcome.  At only 500 words, it tells the story of a man who pays a visit to an old schoolfriend (you will realise, if you read much of my Gothic Horror, that old school/university friends play vital roles!) who is an inventor, and spends some time admiring a clock which he has made. I won’t spoil by telling you the ending, but I will say that he does...

  The Curse of Heatherwell House (Working Title) came from a slightly different place than many of the other stories in this collection. When I decided that I was going to put together a collection of short stories with the theme of Gothic Horror, I quizzed Clemency on what would scare her. She said “zombies”. Not the easiest thing to work with for Gothic Horror – give me a ghost any day. Here are some thoughts about how I went about creating The Curse of Heatherwell House … Once I had spoken to Clem about the things she finds scary – and discovered which of my back catalogue she found the creepiest – I started to get an idea for a story. It involved a vicar (obviously the younger son of a wealthy family, as all these Gothic vicars seem to be) who took over gravedigging responsibilities because the rest of his parish were too sick to do it. I was pleased with the premise – and perhaps it will turn into another story. Watch this space… But there was one major sticking problem: whils...

One of the problems – or, perhaps, the best things – about Gothic Horror is that it does tend to be sad. Usually, there are at least one or two characters who don’t deserve whatever is happening to them, or who have done something which is being punished in a way which does not in any way fit the crime. M.R. James’s writing is perhaps a constant reiteration of the old proverb, “curiosity killed the cat”, but curiosity in itself isn’t a bad thing; while Jonathan Harker in Bram Stoker’s Dracula finds himself in the initial dangerous situation through no fault of his own. Perhaps the saddest story in this anthology is The Lady Who Dances in the Ashes , which was first published by Sley House in Tales of Sley House 2022 . Here is the story of a man who is facing professional and financial ruin as a result of suggesting that mental health patients can be treated in the community rather than institutionalised. He is one of the most sympathetic narrators you will find in the book, but he bad...

Arthur Rackham's timeless illustration (from Wikipedia )  There was a big push a few years ago to rewrite fairy tales. Snow White and the Huntsman got a less than warm reception, but Maleficent was more kindly received. Not wanting to be left out, I also had a go at rewriting a fairy tale, although I think I was a little bit late to the party. Memories of the Grand Tour was based on the Grimm Brothers’ fairy tale, Hansel and Gretel , and features my only female narrator. I don’t know particularly why I chose a woman’s voice for this one. Generally, I find men in Gothic Horror to be easier to write about, simply because they had more possibilities and options during the time in which I set most of my writing. A Victorian woman sitting alone in a pub, for example, would say a great deal about her character before the story even starts, whereas male characters in the same situation wouldn’t even invoke a raised eyebrow. Strangely, by contrast, both Gothic Horror novels which I am cur...

© Christine Taylor  I wrote Death At Priest’s Acre for a callout by Quill and Crow , who were looking for stories to fill a “Bleak Midwinter” anthology. It wasn’t the right fit for them and, to be honest, the beginning and end needed a revisit which has been provided for this anthology. Beginnings and ends are very important in Gothic Horror: they are what tell you that whatever terrible happening has been taking place has successfully scarred the characters involved. If the events of the story aren’t enough to leave an indelible mark on the character, they aren’t going to be enough to leave a mark on the reader. Priest’s Acre was a completely new place to me, which popped into my head one day and I just loved the idea of writing the story of the vicar there. However, as I wrote it, I discovered that the priests who the place was named after were not, in fact, Christian priests at all, but from a time predating Christianity. Then, I knew that druidic magic would play a role in the...

 When I was little, we had a few scary books in the house, but none were scarier than Spine Tinglers and In A Dark, Dark Room . These absolutely terrified me, with their creepy rhymes and frankly disturbing illustrations. To be fair Spine Tinglers even included a warning that it might upset some children – and I was that child. As a result, the books were put away in an old wooden chest, which Holly had painted. It didn’t work. My fear transmuted to the chest itself and, since it was kept in my room for some time, that was very far from ideal! In fact, fear of the chest lasted far longer than fear of the books themselves. Now, we keep the spare bedding in it. Not very threatening – but very full! As I approached secondary school age, my fear of the macabre in fiction began to slowly subside. I loved my children’s version of Doctor Jekyll and Mr Hyde ; I wrote a story about a “Warné” – a hideous werewolfesque beast which went around terrorising people; when I was fourteen I took a ...

 Hello and welcome to this series of blogs for #HistFicThurs! In 2024, I made the decision that I was going to pull together a few different short stories which I have written and then put them together into a book. My hope is that this book will be released in October this year. October is not only Spooky Month, it is also my favourite month, and I can’t wait to share these stories with you to celebrate. In the meantime, I’ve decided that each month I will introduce you to one of the stories which is in the book. They are all historical fiction, as I believe Gothic Horror is best between 1800 and 1920. Perhaps, very occasionally, my work might stray slightly away from this timeframe, but there is something about the rapid development of technology and communication during this period which makes it perfect for Gothic Horror. I always like characters receiving telegrams, or experiencing electric lights for the first time. Furthermore, the Victorian makes for an excellent character....

Today, I'm so excited to introduce a book which is being launched next week at Sutherland Show (22nd July):  The Folly at Raighvan Park   by Judith Crow! Here's a little sneak peek at this upcoming release and a couple of its characters... First of all, let's meet the book... Blurb Desperate to escape memories of a devastating railway accident, Lord Stretton accepts an invitation to Raighvan Park, the home of his childhood friend, Sir David Joyce. But Stretton discovers that Raighvan Park is not the safe haven he had been seeking. The ghosts which have haunted him since the accident seem to have followed him, and the situation grows darker when human remains are discovered at Sir David’s proposed folly. Are the ghosts of the accident still stalking him? Or is there something more sinister at work at Raighvan Park? Guest Post All the Gothic Horror I've written features - to different extents - an unreliable narrator. In The Devil's Servant , Reuben Fancroft is an ol...

I know we’re nowhere near Halloween but, let’s be honest, every season is spooky season if you want it to be! So, I’m going to share some thoughts about one of my favourite genres to read and write: Gothic Horror. I first discovered it as a genre when I was a teenager being taught at home. Every week, Dad would take me and my sister to the local library and we would pick a book or two to read. One week, I picked an abridged version of Dracula . I loved it so much that I immediately graduated onto the full version, before moving on to The Complete Works of Edgar Allan Poe . There was something about these stories which completely immersed my imagination, and I think it was how setting is always an extra character in them. I read a piece a couple of weeks ago which was labelled as Gothic, but the setting wasn’t right. It didn’t jump out as one of the characters in the book which was twisting and turning as much as any of the humans (or not-quite-humans!) Whitby is rightly proud of it...