As a writer, you're increasingly told to show don't tell . It's one of those phrases which has infiltrated all lessons from the highest ranked authors to the little primary school child taking their first steps into writing. Ironically, there are now so many clichés in this particular idea that it is now becoming something of a cliché itself! But one particularly significant area of inspiration and writing when this works at its best is when we are dealing with the supernatural. By its very meaning, the supernatural transcends the laws of nature. It's our job as writers of historical fiction not only to convey that but - and this is a real biggie! - to acknowledge and accept that these beliefs were true. Belief in these ideas (which, at best, now get you labelled as quirky) was commonplace in history, and you need not look too far back to find them. According to surveys run ten years ago, 34% of people in the UK said they believed in ghosts, and 42% of people in the USA
Review After the disaster which was my last read for this Challenge, I immediately realised that this book was perfect for laying that ghost to rest, which is topical because that is the theme of this entire story: Brigid Cleary is driven to avenge the brutal torture and murder of her mother, Bridget Cleary, who was a real-life victim of extreme domestic violence in 1895. A historical note at the beginning of the book shares the facts. Mathilda Zeller creates the world clearly and the characters are mostly very well developed. You find yourself longing for Brigid to find the peace that she's so desperate for; being thankful - or perhaps wishing - for friends like Florence and Adelaide, and falling in love with Edmund and willing him not to let you down. Perhaps the only character who convinced me less than entirely was Mr Baxby. I felt like the whole story could have been rewritten from his point of view and he would have been a sorry character. How lovely to be back with charact