As a writer, you're increasingly told to show don't tell . It's one of those phrases which has infiltrated all lessons from the highest ranked authors to the little primary school child taking their first steps into writing. Ironically, there are now so many clichés in this particular idea that it is now becoming something of a cliché itself! But one particularly significant area of inspiration and writing when this works at its best is when we are dealing with the supernatural. By its very meaning, the supernatural transcends the laws of nature. It's our job as writers of historical fiction not only to convey that but - and this is a real biggie! - to acknowledge and accept that these beliefs were true. Belief in these ideas (which, at best, now get you labelled as quirky) was commonplace in history, and you need not look too far back to find them. According to surveys run ten years ago, 34% of people in the UK said they believed in ghosts, and 42% of people in the USA
Written by Michael Wray Illustrations by Anne Marshall Edited by Chris Firth ☆☆☆ I was born in Orkney, but I grew up in Lincolnshire. I went to primary school there and only moved back to Scotland after I had started at John Leggott College. As a result, I feel a certain connection with the place. Growing up in a village on the edge of the Lincolnshire Wolds, I was very aware of the ghost stories around where I lived. My mum grew up in Epworth, so I was well accustomed to the tale of Old Jeffery that is featured in this book. Our house, itself, was very old and I'm pretty sure it was haunted. It talked - creepy floorboards when no-one was there, doors closing when I couldn't feel a draught - that sort of thing. Close to our house there used to be a wood where apparently someone hanged themselves. We were also down the road from Thornton Abbey with its headless ghost who sometimes runs across the road. (The story, as I heard it, was that someone was fishin