As a writer, you're increasingly told to show don't tell . It's one of those phrases which has infiltrated all lessons from the highest ranked authors to the little primary school child taking their first steps into writing. Ironically, there are now so many clichés in this particular idea that it is now becoming something of a cliché itself! But one particularly significant area of inspiration and writing when this works at its best is when we are dealing with the supernatural. By its very meaning, the supernatural transcends the laws of nature. It's our job as writers of historical fiction not only to convey that but - and this is a real biggie! - to acknowledge and accept that these beliefs were true. Belief in these ideas (which, at best, now get you labelled as quirky) was commonplace in history, and you need not look too far back to find them. According to surveys run ten years ago, 34% of people in the UK said they believed in ghosts, and 42% of people in the USA
"When Alice McCleish’s gardener Brian unearths an object of great archaeological significance deep under the compost heap it is not only Alice who is affected. Her friendship with Margaret Allerton, retired Professor of Anthropology, as well as Alice's family, friends and neighbours are all touched. Alice and Margaret find themselves questioning long-held beliefs about the material and spiritual world that surrounds them. Both women find their lives transformed unalterably by their newfound companionship. Serendipity puts Alice’s nearest neighbour, the troubled Violet Turnbull, in touch with the enigmatic Avian Tyler, whose mystical ‘gift’ offers Violet a promise of liberation. All the while an echoing voice from long, long ago hints at the history of the locality dominated by the standing stone circle that bestrides the skyline above the small community of Duddo. This harrowing story reveals the provenance of the artefacts found beneath that compost heap."