I'm not the Crowvus writer who publishes horror. I've appreciated the brilliant books by Judith Crow, but I know it's not something I can write. The supernatural is different. People will - quite rightly - tell you that horror can encompass the supernatural, but the supernatural is not only confined to that genre. The supernatural, by definition, have their roots in the natural. In the case of ghosts, they were once alive, now having transcended from the natural (i.e. worldly) existence, into the supernatural on an unknown plain. The best ghost stories (my opinion only!) are the ones which unite the natural and the supernatural, looking at the shadows and imprints left on the natural world by those now occupying the supernatural one. In essence, when I read through the submissions for the Crowvus Christmas Ghost Story Competition , I'm looking for the human aspect of the story. I love the idea of ghosts trapped in time, I love the idea of ghosts trying to commune with ...
Editing One of the things that is a real privilege about being from a family of writers is having the opportunity to read raw, unedited first drafts. There is something very exciting about how those first thoughts and forays into a deep, rich imagination make the transition from brain to paper (or screen). I’m told that I’m bad for laughing at the mistakes that people make, and a first draft is always a great opportunity to do that too! The best example was almost certainly one of my own: High Fantasy novel I wrote as a child/teenager/young adult: The king was returning from a big battle and about to enter the capital city with his annihilated army. Naturally, he was concerned, so he said, “how can I tell them that their sons and fathers will be returning?” So, since then, I’ve been known for missing out “not”s in sentences. Of course, when you have passed that exciting First Draft Stage and you’re beginning to look at preparing the book for going out into the wider wor...