By the very nature of the books I write, whether medieval, Jacobite, or regency, there are invariably battles to recount. A lot of historical fiction features wars of some kind because it's often in these times of trial and conflict that we can see the very best and the very worst of humanity. Writing battles is a daunting prospect. After all, most of us writers have never been in a battle, and certainly not one which used the type of warfare with existed 200, 500, or 1000 years ago. Re-enactments and handling artefacts are great for getting an idea of the weight of weapons, the blindspots of armour, the power of a charge, but these events are full of people who have all gathered for the same purpose. This means (thankfully, I should add!) that there is not that driving fear and recklessness which must have been present in those forays. But this is where you as the writer come in. No one enters the field of combat without some reason for - or belief in - what they are doing. Mass
This Christmas holiday, we have found ourselves wandering around the house randomly singing snatches of songs from the genius that is Horrible Histories. This series of books-turned-TV-programmes is something which, until recently, I was never really interested in. I wasn't violently opposed to them, but I was exactly the wrong age for when they came out. My sister had and read all the books, even the special editions. And then - the best part of twenty years later! - another sister began to introduce us to some of the songs from the programme. Still less than 100% convinced, it was pointed out to me that there was a song for every period in history. This sounded like a throwing down of the gauntlet, but they did indeed manage to find me the song fitting for my current project. Here it is: Since then, I've become something of a convert to the musical antics which were in the series and there hasn't been a day in the last month when I haven't woken up randomly singing a