Today, I'm delighted to welcome Paul Rushworth-Brown to the #HistFicThursdays blog as part his Coffee Pot Book Club 's book tour. Today, meet Paul's new book The Lost Voices , and discover your next great read! Read on to enjoy an excerpt from this gripping book! First of all, let's meet the book... Some lives pass through history without leaving a trace. The Lost Voices is a work of historical fiction that brings to light those whose stories were never formally recorded—not because they lacked significance, but because their lives unfolded beyond the reach of power, authorship, and recognition. This is the story of ordinary people forced into extraordinary circumstances—individuals navigating a rigid social order shaped by obligation, fear, and quiet resistance. Here, survival depends as much on silence as on action, and choices are made not in moments of glory, but in private, under pressure, and with consequences rarely acknowledged. The novel explores how perso...
Arthur Rackham's timeless illustration (from Wikipedia ) There was a big push a few years ago to rewrite fairy tales. Snow White and the Huntsman got a less than warm reception, but Maleficent was more kindly received. Not wanting to be left out, I also had a go at rewriting a fairy tale, although I think I was a little bit late to the party. Memories of the Grand Tour was based on the Grimm Brothers’ fairy tale, Hansel and Gretel , and features my only female narrator. I don’t know particularly why I chose a woman’s voice for this one. Generally, I find men in Gothic Horror to be easier to write about, simply because they had more possibilities and options during the time in which I set most of my writing. A Victorian woman sitting alone in a pub, for example, would say a great deal about her character before the story even starts, whereas male characters in the same situation wouldn’t even invoke a raised eyebrow. Strangely, by contrast, both Gothic Horror novels which I am cur...