As a writer, you're increasingly told to show don't tell . It's one of those phrases which has infiltrated all lessons from the highest ranked authors to the little primary school child taking their first steps into writing. Ironically, there are now so many clichés in this particular idea that it is now becoming something of a cliché itself! But one particularly significant area of inspiration and writing when this works at its best is when we are dealing with the supernatural. By its very meaning, the supernatural transcends the laws of nature. It's our job as writers of historical fiction not only to convey that but - and this is a real biggie! - to acknowledge and accept that these beliefs were true. Belief in these ideas (which, at best, now get you labelled as quirky) was commonplace in history, and you need not look too far back to find them. According to surveys run ten years ago, 34% of people in the UK said they believed in ghosts, and 42% of people in the USA
I was warned ahead of this week that the theme of one of my blog posts would be “Share Your Shelf”. And, if I’m honest, I’ve been putting this one off because it was always destined to out me as a nerd of the highest (or should that be lowest?) order. My bedroom shelf contains very little in the way of fiction. It is largely stocked with books that have gathered more dust than an Egyptian mummy, and might one day find their way into a Museum of Nerdery. Specifically, my shelf runneth over with titles relating to either Scottish history and geography, or to seabirds. In some cases, my books are dedicated specifically to Scottish seabirds. As a boy, I was obsessed with how many pairs of Manx shearwater bred on the Isle of Rum, or how many gannets occupied the Bass Rock as opposed to St Kilda or Ailsa Craig. I was consumed by a need to visit all of the major seabird colonies around our shores. Ailsa Craig regrettably remains on my bucket list, but if you haven’t set foot on Hirta or the B