Today, I'm delighted to welcome Paul Rushworth-Brown to the #HistFicThursdays blog as part his Coffee Pot Book Club 's book tour. Today, meet Paul's new book The Lost Voices , and discover your next great read! Read on to enjoy an excerpt from this gripping book! First of all, let's meet the book... Some lives pass through history without leaving a trace. The Lost Voices is a work of historical fiction that brings to light those whose stories were never formally recorded—not because they lacked significance, but because their lives unfolded beyond the reach of power, authorship, and recognition. This is the story of ordinary people forced into extraordinary circumstances—individuals navigating a rigid social order shaped by obligation, fear, and quiet resistance. Here, survival depends as much on silence as on action, and choices are made not in moments of glory, but in private, under pressure, and with consequences rarely acknowledged. The novel explores how perso...
One of the shortest stories included in my upcoming anthology was written for an Edgar Allan Poe competition in 2021, in which my work came Runner-Up, and is titled The Clockmaker.
Edgar Allan Poe is most famous for his works of Gothic Horror, but it is easy to forget that he also dabbled in Science Fiction, as did many of his Gothic contemporaries. Indeed, a quick Google search has informed me that there are anthologies which solely contain his Science Fiction.
The Clockmaker was designed to marry these Horror and SciFi elements to create the sort of story which Poe himself might have written. I won’t deny it: I was pleased with the outcome.
At only 500 words, it tells the story of a man who pays a visit to an old schoolfriend (you will realise, if you read much of my Gothic Horror, that old school/university friends play vital roles!) who is an inventor, and spends some time admiring a clock which he has made. I won’t spoil by telling you the ending, but I will say that he does regret having studied the clock so carefully!
Flash fiction is a favourite of mine. I am not saying that I am always good at it(!) but there is an immediate sense of satisfaction which follows the creation of a good piece of it, without the sense of emptiness which follows the conclusion of a novel! It’s also a pleasure to work up something so short, because you can pore over it again and again in a relatively short space of time.
Unfortunately, flash fiction is a difficult market to sell. Multiple publishers have expressed an interest in The Clockmaker, only to turn it down because it is so short – one even politely encouraging me to work it up. But it owns its 500 words, and who is to say that it would cope with more?! So, it is included in this anthology, and perhaps each person who reads it will never again hear the chimes of a clock in the same way.
[You can read Judith's earlier Gothic Horror blog posts here]
Comments
Post a Comment