This week, we finally managed to install our new (not new ) item of furniture - a mid-18th Century grandfather clock. It's not bright and shiny like more modern ones, but a dark oak with a warm patina which the beeswax polish is drawing out. In order to set it up, we had to do a certain amount of research - how to hang the pendulum, where the weight went on the endless chain - and it got me thinking... where and when did certain divisions of time come from? The time periods which I have written either had household clocks or didn't, I have not written novels from the time of their invention. Clocks have been around for a long time, and the obsession with measuring time in an ordered fashion dates back to at least the ancient Sumerians. It was they who established a circular reading of time and, I imagine, the sixty seconds/minutes came about as much because it was an easy way to divide a circle as anything else. But it wasn't until much later that the precision of seconds ...
One of the shortest stories included in my upcoming anthology was written for an Edgar Allan Poe competition in 2021, in which my work came Runner-Up, and is titled The Clockmaker.
Edgar Allan Poe is most famous for his works of Gothic Horror, but it is easy to forget that he also dabbled in Science Fiction, as did many of his Gothic contemporaries. Indeed, a quick Google search has informed me that there are anthologies which solely contain his Science Fiction.
The Clockmaker was designed to marry these Horror and SciFi elements to create the sort of story which Poe himself might have written. I won’t deny it: I was pleased with the outcome.
At only 500 words, it tells the story of a man who pays a visit to an old schoolfriend (you will realise, if you read much of my Gothic Horror, that old school/university friends play vital roles!) who is an inventor, and spends some time admiring a clock which he has made. I won’t spoil by telling you the ending, but I will say that he does regret having studied the clock so carefully!
Flash fiction is a favourite of mine. I am not saying that I am always good at it(!) but there is an immediate sense of satisfaction which follows the creation of a good piece of it, without the sense of emptiness which follows the conclusion of a novel! It’s also a pleasure to work up something so short, because you can pore over it again and again in a relatively short space of time.
Unfortunately, flash fiction is a difficult market to sell. Multiple publishers have expressed an interest in The Clockmaker, only to turn it down because it is so short – one even politely encouraging me to work it up. But it owns its 500 words, and who is to say that it would cope with more?! So, it is included in this anthology, and perhaps each person who reads it will never again hear the chimes of a clock in the same way.
[You can read Judith's earlier Gothic Horror blog posts here]
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