As a writer, you're increasingly told to show don't tell . It's one of those phrases which has infiltrated all lessons from the highest ranked authors to the little primary school child taking their first steps into writing. Ironically, there are now so many clichés in this particular idea that it is now becoming something of a cliché itself! But one particularly significant area of inspiration and writing when this works at its best is when we are dealing with the supernatural. By its very meaning, the supernatural transcends the laws of nature. It's our job as writers of historical fiction not only to convey that but - and this is a real biggie! - to acknowledge and accept that these beliefs were true. Belief in these ideas (which, at best, now get you labelled as quirky) was commonplace in history, and you need not look too far back to find them. According to surveys run ten years ago, 34% of people in the UK said they believed in ghosts, and 42% of people in the USA
As a child, there was no book scarier than the Weetabix history book's page about The Black Death. Forget horror or ghosts, plague was really scary! It took me a long time to realise that "plague" did not refer to a single event, too. One of the things which led me to this was trying to make sense of the much-loved book The Children of Green Knowe , in which the ghostly children died in the plague three-hundred years after I knew The Black Death had occurred. I don't know at which point I became fascinated with the history of medicine but, around that time, I stopped being so scared of the plague. When, years later, I began writing Day's Dying Glory , one of the key characters just had to be a doctor. Doctor Fotherby became central to what grew into a family saga. Reluctant to let him go, he had a very long life before I conceded that I just could feasibly have him lasting much longer! But Doctor Fotherby belonged to the 18th/19th Centuries, long after this song