The events of the past week have brought home to me just how important the personal aspect and view of history are. One of the key questions I have both asked other authors and been asked myself, is whether there was a specific character they identify with. For my own part, I've always answered that there is a little bit of me in all my characters. And it's true. I have never based a character totally on myself because I have never belonged to a point in time except my own, I can't know how I would react! Now, I am less than a decade from my own lifespan encompassing the general 50-year gap for an historical fiction setting - a scary thought! Suddenly, my own early adventures are starting to sound like something from a historical novel. A few weeks ago, Crowvus published Child at the Pantry Door and, at the end of the month, we will be publishing the next issue of our journal Hooded: Memoirs . The personal aspect to both of these books is a crucial resource to historical ...
Today's #HistFicThursdays blog is a fantastic interview with Cliff Lovette , as part of his Yarde Book Promotion tour! Read on to find out about his influences, inspirations, and the emotional rollercoaster on which Circus Bim Bom carries readers away. But first, let's meet the book... Blurb Soviet circus performers arrived in America hoping to build cultural bridges. Instead, they became unwitting pawns in a Cold War game of international intrigue. When the first privately owned Soviet circus arrived in 1990 in America as the Soviet Union disintegrated, its elite performers expected to build cultural bridges through spectacular shows. Instead, this prestigious troupe faced a perilous journey through Cold War America. Circus director Yuri had to navigate treacherous waters where American mobsters, Soviet agents, and political forces circled like predators. Young aerialist Anton dreamed of becoming a clown against his family’s wishes, while forbidden romanc...