I'm not the Crowvus writer who publishes horror. I've appreciated the brilliant books by Judith Crow, but I know it's not something I can write. The supernatural is different. People will - quite rightly - tell you that horror can encompass the supernatural, but the supernatural is not only confined to that genre. The supernatural, by definition, have their roots in the natural. In the case of ghosts, they were once alive, now having transcended from the natural (i.e. worldly) existence, into the supernatural on an unknown plain. The best ghost stories (my opinion only!) are the ones which unite the natural and the supernatural, looking at the shadows and imprints left on the natural world by those now occupying the supernatural one. In essence, when I read through the submissions for the Crowvus Christmas Ghost Story Competition , I'm looking for the human aspect of the story. I love the idea of ghosts trapped in time, I love the idea of ghosts trying to commune with ...
Today was supposed to be a book review day, but with everything that is currently needing attention, I haven't got round to reading my backlist yet and, rather than skim read one of the books, I would rather do it the credit of giving my full attention. So, I thought, that I would introduce my favourite book from when I was little. The Moon of Gomrath is a fantasy adventure, which I partially credit with my love of the genre. It is heavily woven with myths and legends from rural England and, while I grew up many miles away from Alderley Edge where the book is set, I could imagine the story happening close to where I lived in another corner of the English countryside. The book is actually the sequel to The Weirdstone of Brisingamen but I read them out of sync, and it didn't matter. Sure, there were parts that made more sense once I'd read the first book, but I managed well enough. The first book is great, too, but I don't have the same attachment to it. There are mythic...