As a writer, you're increasingly told to show don't tell . It's one of those phrases which has infiltrated all lessons from the highest ranked authors to the little primary school child taking their first steps into writing. Ironically, there are now so many clichés in this particular idea that it is now becoming something of a cliché itself! But one particularly significant area of inspiration and writing when this works at its best is when we are dealing with the supernatural. By its very meaning, the supernatural transcends the laws of nature. It's our job as writers of historical fiction not only to convey that but - and this is a real biggie! - to acknowledge and accept that these beliefs were true. Belief in these ideas (which, at best, now get you labelled as quirky) was commonplace in history, and you need not look too far back to find them. According to surveys run ten years ago, 34% of people in the UK said they believed in ghosts, and 42% of people in the USA
If you want to know how someone sees the world, give them a pencil. Right from an early age, we have a love of drawing. It's true that sometimes children's drawings can be a bit peculiar, but they are exactly how they view the world around them and there is something rather special about that. A few years ago, we bought a job-lot of books and bits-and-bobs at our local auction. There were some rather lovely things amongst them and, since they only cost a couple of pounds, they were better than bargainous! In them was a collector copy of a biography of the sculptor Alfred Gilbert, who famously created the statue of Eros in Picadilly Circus. As part of the book, there is a hand drawn sketch of one of his designs. It is somehow both messy and precise, giving an idea of how he worked through his ideas until the reached the desired conclusion. But this was not the greatest treasure in the collection - at least not for us! Buried in amongst the rest of the published and printed book