Today, I'm delighted to welcome Paul Rushworth-Brown to the #HistFicThursdays blog as part his Coffee Pot Book Club 's book tour. Today, meet Paul's new book The Lost Voices , and discover your next great read! Read on to enjoy an excerpt from this gripping book! First of all, let's meet the book... Some lives pass through history without leaving a trace. The Lost Voices is a work of historical fiction that brings to light those whose stories were never formally recorded—not because they lacked significance, but because their lives unfolded beyond the reach of power, authorship, and recognition. This is the story of ordinary people forced into extraordinary circumstances—individuals navigating a rigid social order shaped by obligation, fear, and quiet resistance. Here, survival depends as much on silence as on action, and choices are made not in moments of glory, but in private, under pressure, and with consequences rarely acknowledged. The novel explores how perso...
With global events reaching a boiling point, I've been thinking quite a lot about what makes a hero or heroine. Because it's an historical fiction blog, that's what I'm focussing on, but I'm pretty sure these thoughts can pass over onto other genres too.
The first thing is that the hero/ine does not have to be the main character. Tolkien said that Samwise Gamgee was the real hero of The Lord of the Rings (which can hardly come as a shock to anyone who has read it) but he was not the main - or even the second - character. If you are writing with an ensemble cast, this is a more obvious distinction. Chances are, if you have only one major character, they are also going to be the hero/ine.
Next, consider that a hero/ine does not have to be right the whole time. The important thing about their decisions is twofold:
- They always do what they believe to be best for other people
- They always work (and hopefully achieve!) to put right any harm their choices have made
These two factors must go hand-in-hand. Without the second one you could potentially have (at best) an antihero or (at worse) a psychotic lunatic. Without the first you just end up with a character who is constantly a little bit preachy as they go around mopping up other people's mess.
Throughout history there have been some fantastic examples of hero/ines. But a word of warning! If you choose to write about one of them, remember they are probably someone else's hero/ine and they might have very different ideas about how that person would have responded to whatever situation you put them in. This can cause a reader who might have really enjoyed every other aspect of your book to grow unsatisfied with it. I'm not saying you should never write about real heroes or heroines, but that you should be prepared for the readers' response!!!
But, I suppose the most important thing of all, is that a hero/ine - a true hero/ine - puts themselves after the wellbeing of others. It would be untrue to say that they never think of themselves, but they have to prioritise others. There will be slip-ups, there can be massive flaws, and they should never be perfect. But they have to be the next best thing!
Finally, remember that those people who you find heroic are not necessarily the same as other people's. They might not agree with you, but that is the reader's right. I don't hold with "the author is dead", but just bear in mind that - in order to produce your best work - you will be writing for yourself as much as anyone else.
Comments
Post a Comment