With global events reaching a boiling point, I've been thinking quite a lot about what makes a hero or heroine. Because it's an historical fiction blog, that's what I'm focussing on, but I'm pretty sure these thoughts can pass over onto other genres too. The first thing is that the hero/ine does not have to be the main character. Tolkien said that Samwise Gamgee was the real hero of The Lord of the Rings (which can hardly come as a shock to anyone who has read it) but he was not the main - or even the second - character. If you are writing with an ensemble cast, this is a more obvious distinction. Chances are, if you have only one major character, they are also going to be the hero/ine. Next, consider that a hero/ine does not have to be right the whole time. The important thing about their decisions is twofold: They always do what they believe to be best for other people They always work (and hopefully achieve!) to put right any harm their choices have made These t...
For today's #HistFicThursdays blog, I am so excited to be welcoming Fiona Forsyth to the blog with a guest post about her new book Death and The Poet , as part of her Coffee Pot Book Club tour. Her fabulous guest post discusses the book's setting, moving away from the perception of Ancient Rome to its reality with just enough artistic license to keep readers deeply engaged with the story. But first, let's meet the book... Blurb 14 AD. When Dokimos the vegetable seller is found bludgeoned to death in the Black Sea town of Tomis, it’s the most exciting thing to have happened in the region for years. Now reluctantly settled into life in exile, the disgraced Roman poet Ovid helps his friend Avitius to investigate the crime, with the evidence pointing straight at a cuckolded neighbour. But Ovid is also on edge, waiting for the most momentous death of all. Augustus, the first Emperor of Rome, is nearing his end, and the future of the whole Roman wor...