Kay Harker and Cole Hawlings Picture accessed via BBC There are few things more Christmassy than the opening few bars of the theme tune to The Box of Delights . In fact, the tune is based on Victor Hely-Hutchinson's Carol Symphony and had been used in radio adaptations of the same novel years earlier than the 1984 television series. Clearly, everyone already knew that you just couldn't improve on that sound to evoke the magic of Christmas which - for me and for many - is so wonderfully explored in John Masefield's story. As a viewer, one of the things I enjoy most about the television series of The Box of Delights is the acting. Child actors are precarious things: too sweet and they're almost unbearable to watch, not sweet enough and they're unbelievable. They must walk that fine line between the two, and it is a perilous one! Most young actors fall into the first category, where their on-screen presence is almost dangerously saccharine. Not so the child actors ...
I'm thrilled to be taking part in the blog tour for "Ashes and Blood" by Katie Zaber. BLURB “I’ll start at the beginning. Long ago, before roads, before we built structures, before medicine was discovered, before the government was created, before man gained any knowledge, there were The Five. Independent from each other, The Five had a mutual respect for one another. They knew their roles in the world and their duty. They were gods…” An adventure begins when an otherworldly tree captures the attention of Megan and her friends. The environment morphs around them, transferring them to an exotic planet. Stuck in a rural town still maimed by the plague, a chance encounter with a familiar face gives Megan and her friends some security during their adjustment period. While settling into new, promising lives, they are attacked and stalked by planet Dalya’s humanoid inhabitants, who focus on Megan. One dark night, after an epic, magical attack, the Fae King’s ...