For several years, Lincoln was my county town and, for centuries before that, it was the county town for many of my ancestors. So, today, for the #HistFicThursdays blog, I'm delighted to be hosting Rachel Elwiss Joyce with a guest post about her book Lady of Lincoln , as part of her Coffee Pot Book Club tour! Read on to find out more about the woman who inspired this book and where her place in history is secured forever. But first, let's meet the book... Blurb A true story. A forgotten heroine. In a time when women were told to stay silent, could she become the saviour her people need? 12th-century England. Nicola de la Haye wants to do her duty. But though she’s taught a female cannot lead alone, the young noblewoman bristles at the marriage her father has arranged to secure her inheritance. And when an unexpected death leaves her unguided, the impetuous girl shuns the king’s blessing and weds a handsome-but-landless knight. Harshly fined by...
Friday 1st November 2019 - Beginnings
No matter what anyone tells you, your beginning is
spectacularly important. No pressure or anything, but if a reader doesn’t gel
with your first line, your second must be amazing. The general rule of thumb is, the further a
reader is expected to go to find the story, the easier it will be to lose them.
Starting a book can seem a bit like a rocky, uphill
struggle - but it's worth it!
One of the most well-known beginnings:
In the beginning was the word
It’s difficult to rival that one!
But it’s a statement of truth (let’s leave fact out of it,
as most of use NaNoWriMo writers are in the business of fiction), and that’s
what most of my first lines are.
Petrovia Lodge was all that could
be expected of a country house for a family of a not inconsiderable income.
Day’s Dying Glory
Day’s Dying Glory
In a country at peace, men of war
are confined to their homes and families.
Beneath Black Clouds and White
Beneath Black Clouds and White
The springy heather underfoot was
the only thing which coaxed on the faltering footfalls of the tartan-clad man
as he stumbled forward.
Caledon
Caledon
‘The gule block is almost spent,’
a delicate voice announced from the curtained archway, the first sound of the
new year.
The Year We Lived
The Year We Lived
All of these set the mood and paint a picture in the reader’s
mind. They also serve to establish the
voice for the rest of the story to come.
The most important thing is to make sure your opening line is true to
the rest of the book, and that it doesn’t just fill a space on your blank
Scrivener page.
Remember, this is not
so much your hook as your bait, you want to make it irresistible to your target
audience.
And it’s not just your first line. Everything in your first chapter wants to lay
the groundwork for the adventure which is going to unfold, whether that is
focussing on one character so your reader gets to really appreciate and
emphasise with them, or introducing a whole host of them to create the image of
a busy confusion. Once you’ve got this
foundation laid, your story will begin telling itself, you’re just a tool for
the telling!
Here are a couple of things to think about in the opening
pages of your novel:
- Place is vital! You don’t have to be heavy-handed and detail every brick in the wall, but you do want your reader to connect instantly.
- Starting with speech grabs your reader but tell them who’s talking, or they begin your story with preconceived ideas.
- Don’t use any voice but your own, or the story will feel stilted.
Virginia Crow
www.crowvus.com
My favourite opening line has to be by Muriel Spark - "He looked as if he would murder me, and he did". If I could write anything that was half as witty and macabre, I would be happy!
ReplyDeleteThis comment has been removed by the author.
DeleteMe again (minus typo!)
DeleteWow, that is an amazing beginning! Talk about opening with a punch!
I know! I "think" I'm getting the book of short stories this comes from for Christmas - so that's my Christmas ghost story sorted 😅
Delete