Continuing from last week's post which explored Artwork as Inspiration (the starting point for Proof of the Old Faith ) I'm sticking with Norse culture. Here is The Weave of the Norns , a poem I wrote a few years ago about these three frightening women. Enjoy! The Norns by Arthur Rackham Weave of the Norns Beneath the threat of utter doom he sought them at their fabled loom. The king searched on until he found them on the morrow’s battleground. The tallest worked the wheel alone; the next, a shuttle made of bone; the shortest bore a silver sword with which she severed each loose cord. What pattern spun these women three, dictating mankind’s victory! “I come to beg you demonstrate a gentle weaving of our fate.” “Then know you this, oh man of peace, we weave the thread and cannot cease.” “Weave us an ending to this war and grant us threads of peace once more.” “What cost would such a wise man pay for us to change our weave this way?” And now he saw the bloody thread, time’s fabr
Day 6 - Writing Relationships
Photo by Git Stephen Gitau from Pexels |
Relationships are tricky – not just in real life, but in writing as well. We essentially have a relationship of some description with everyone that we meet – and certainly anyone that we meet more than once. I was shopping in Tesco during the October holidays and spoke with so many people I knew – ranging from current pupils to one of the conductors on the train which was a part of my commute eighteen months ago.
These relationships can be difficult to recreate in literature. We tend to dwell on the meaningful, and they are tricky enough! But how often are we writers guilty of neglecting those people who are important ‘friendly faces’?
When I’m writing established relationships, I tend to make it all about inference. Think about introducing, if appropriate, a nickname for one of the characters. Or what are you inferring if the teenager in your YA manuscript calls their parents by their first names? It automatically says something about the relationship that your character has with their parents which, in a YA novel, is probably going to be quite important.
What about if your main character says to someone “I booked a table at that restaurant you love”?
Another key feature of writing relationships is that the relationships we write have to reflect the relationships we have experienced. That doesn’t necessarily mean we have to have experienced them ourselves, but I do think you have to have witnessed it at close quarters. Even so, I would suggest focussing on what you know – those are the relationships which will leap naturally off the page and grip your reader.
Judith Crow
www.crowvus.com
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