I started writing my first book when I was still at school. It wasn't historical fiction, it was high fantasy, and it was the first of ten books, under the collective title The Watcher's Heir . I knew from the word go that it was going to have this number of books, although I didn't really work out exactly what would happen in each one. Twenty-five years on and the books are still not finished, although I now only have a couple more to go! Every Christmas I settle down and manage to write a chapter or two more, and every New Year it is my resolution to finish them. I suspect this will go on for a few years more. In the passage of time since then, I've written more than a dozen books. I can't quite pinpoint what it is which keeps obstructing the conclusion of these books. It could be that I am not the same person I was 25 years ago (who is?!), and so the voice which began the books is almost unrecognisable. It could be that I have now passed the age almost all of my ...
Day 6 - Writing Relationships
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| Photo by Git Stephen Gitau from Pexels |
Relationships are tricky – not just in real life, but in writing as well. We essentially have a relationship of some description with everyone that we meet – and certainly anyone that we meet more than once. I was shopping in Tesco during the October holidays and spoke with so many people I knew – ranging from current pupils to one of the conductors on the train which was a part of my commute eighteen months ago.
These relationships can be difficult to recreate in literature. We tend to dwell on the meaningful, and they are tricky enough! But how often are we writers guilty of neglecting those people who are important ‘friendly faces’?
When I’m writing established relationships, I tend to make it all about inference. Think about introducing, if appropriate, a nickname for one of the characters. Or what are you inferring if the teenager in your YA manuscript calls their parents by their first names? It automatically says something about the relationship that your character has with their parents which, in a YA novel, is probably going to be quite important.
What about if your main character says to someone “I booked a table at that restaurant you love”?
Another key feature of writing relationships is that the relationships we write have to reflect the relationships we have experienced. That doesn’t necessarily mean we have to have experienced them ourselves, but I do think you have to have witnessed it at close quarters. Even so, I would suggest focussing on what you know – those are the relationships which will leap naturally off the page and grip your reader.
Judith Crow
www.crowvus.com
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