It's true that the title of this blog does not look like anything to do with historical fiction, but the equilibrium between wildlife and humanity was not always so precarious as it is now. Finding the balance which existed at the time you're writing can be a very useful tool to setting a believable background for your writing. So here are a few mammal considerations... Wild mammals were everywhere - they still are, in fact! Whether you're writing about the middle of a city or the middle of nowhere, it should be a given that these animals will influence life. As well as the obvious and frequently maligned rats and mice, other mammals have cohabited our cities with us. Foxes have always had a partially urban existence, and the building of cities on waterways also often lead to otters and (depending on how far inland they were) seals being resident. Mankind knew how to find wild mammals - there is a continuous development in the scientific study of our wild mammals and this...
Day 6 - Writing Relationships
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| Photo by Git Stephen Gitau from Pexels |
Relationships are tricky – not just in real life, but in writing as well. We essentially have a relationship of some description with everyone that we meet – and certainly anyone that we meet more than once. I was shopping in Tesco during the October holidays and spoke with so many people I knew – ranging from current pupils to one of the conductors on the train which was a part of my commute eighteen months ago.
These relationships can be difficult to recreate in literature. We tend to dwell on the meaningful, and they are tricky enough! But how often are we writers guilty of neglecting those people who are important ‘friendly faces’?
When I’m writing established relationships, I tend to make it all about inference. Think about introducing, if appropriate, a nickname for one of the characters. Or what are you inferring if the teenager in your YA manuscript calls their parents by their first names? It automatically says something about the relationship that your character has with their parents which, in a YA novel, is probably going to be quite important.
What about if your main character says to someone “I booked a table at that restaurant you love”?
Another key feature of writing relationships is that the relationships we write have to reflect the relationships we have experienced. That doesn’t necessarily mean we have to have experienced them ourselves, but I do think you have to have witnessed it at close quarters. Even so, I would suggest focussing on what you know – those are the relationships which will leap naturally off the page and grip your reader.
Judith Crow
www.crowvus.com
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