It's back for another year... Welcome to this year's #HistFicMay! I know a number of writers like to have these prompt in advance so that you can line up a few answers, so it seemed like a good time to share them. Of course, the aim of #HistFicMay is to celebrate both the fantastic network of historical fiction writers and their books, so even if you don't use the prompts, hopefully you can use the hashtag on your social media to discover fabulous authors and writings. And here they are: Introduce yourself and your writing Who inspired you to become a writer? Standalone or series? Do you always/ever write happy ever afters? One time period or dual (or more!) timeline? What is your favourite era to write about? What is your favourite era to read about? Let's talk about research... What has been your greatest research discovery? Which source do you always go back to? What's your strangest rabbit hole? Has research ever driven you mad? If you could time travel, when w...
Kay Harker and Cole Hawlings Picture accessed via BBC There are few things more Christmassy than the opening few bars of the theme tune to The Box of Delights . In fact, the tune is based on Victor Hely-Hutchinson's Carol Symphony and had been used in radio adaptations of the same novel years earlier than the 1984 television series. Clearly, everyone already knew that you just couldn't improve on that sound to evoke the magic of Christmas which - for me and for many - is so wonderfully explored in John Masefield's story. As a viewer, one of the things I enjoy most about the television series of The Box of Delights is the acting. Child actors are precarious things: too sweet and they're almost unbearable to watch, not sweet enough and they're unbelievable. They must walk that fine line between the two, and it is a perilous one! Most young actors fall into the first category, where their on-screen presence is almost dangerously saccharine. Not so the child actors ...