Kay Harker and Cole Hawlings Picture accessed via BBC There are few things more Christmassy than the opening few bars of the theme tune to The Box of Delights . In fact, the tune is based on Victor Hely-Hutchinson's Carol Symphony and had been used in radio adaptations of the same novel years earlier than the 1984 television series. Clearly, everyone already knew that you just couldn't improve on that sound to evoke the magic of Christmas which - for me and for many - is so wonderfully explored in John Masefield's story. As a viewer, one of the things I enjoy most about the television series of The Box of Delights is the acting. Child actors are precarious things: too sweet and they're almost unbearable to watch, not sweet enough and they're unbelievable. They must walk that fine line between the two, and it is a perilous one! Most young actors fall into the first category, where their on-screen presence is almost dangerously saccharine. Not so the child actors ...
I've been talking a lot about my family saga this month, so here's a little excerpt from Beneath Black Clouds and White . Although I published this second, it comes first chronologically. I hope you enjoy it! Chapter Nine Persephone and Rosanna Fotherby wasted little time as Peters left him, but began walking in the direction of Mayfair. After arriving at the house of Sir Manfred Chester so late on the last two occasions he had been a house guest, he was determined to arrive at a civilised time. He reached the white fronted house in the late afternoon and paused at the steps, uncertain that he should presume to simply arrive there. He walked across the road, rebuking himself for his lack of etiquette. He still carried the card that Peters had given him and he wondered at what the address was. It was somewhere in Westminster, and he was on the point of returning into the city when he turned at the sound of his name. “Henry! You have come back to us. You must come in at once.” “...