Firstly, I apologise for not posting a Middle Grade Monday blog last week. It was quite a crazy time, with my exam on the Monday and the Music Festival all week. But I wanted to make sure I got this blog up on the right day! Today, I'll be discussing how to put magic into a setting, particularly for middle grade books. One of the key points to make is that magic is not unusual for children. It is quite normal for a class of children to believe that magic exists, and this has both benefits and drawbacks. The benefit is that you don't have to spend as long persuading the reader that a magical place is relatable. The drawback is they already have a set idea as to what magic is like and, if you want to go outside the box as many authors do, it can cause problems. When planning how to put magic into your setting, you can ask yourself some questions: Is the whole world magic, or just select places? Perhaps there is an underwater kingdom of magic, while the folk on shore are just lik...
There is a line in the remake of The Parent Trap when the man (who owns a vineyard) is showing his former wife his collection of special wines: "I'm a man of limited interests". That is sort of like me with books! I have accumulated quite a few old books and it's not just because I love books.
Our oldest complete book is the one above. It predates most of the settings for my books, the Jacobites, and the Great Fire of London. There is something very exciting about thinking about the different people who have read it over the years! I got it because it links in with one of our family's favourite books, The Children of Green Knowe.
And then there are books which directly impact on my own writing. My sister bought me a first edition of Walter Scott's Ballads and Lyrical Pieces, a book which is gifted in my own story Day's Dying Glory. It is amazing to be able to hold the book, getting an idea of things beyond the words: the weight of the paper; the size of the margins where short notes can be written; the intricate swirls and colours of the cover's inside...
And, of course, there are those old books which indulge other aspects of my interests. These interests - as mentioned in last week's blog - go on to inspire my writings in one way or another.
So I think it is not only sensible but also right to gather old books, and certainly a great source of inspiration for an historical fiction writer. Not only do we get to hold the same object we are setting into the hands of our characters, we also get to see the stories and the instructions people received through books then. Remember: all these books were an inspiration to someone back in the day too, or they would never have been published!
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