I'm quite confident that, if I start this blog with "remember the scythe?", most people reading it are going to immediately know where I'm pointing you to! That's right: Poldark. Now, I know that the series with Aidan Turner and his famous scythe was actually a remake of an earlier programme, but let's just focus on this more recent iteration of Winston Graham's novels about the eponymous Cornish hero. One of the things which is so wonderful about Poldark as a series - not only onscreen but even more so in the novels - is that it covers such a vast period of time. Because of the time in which it is set, there are huge local and global changes taking place around the characters and, when you have been invested in them for so long, you can really experience the upheaval alongside them. This is something I attempted with (what I hope) was a reasonable degree of success in my Early Story of the Rite trilogy. If it ever actually appears on bookshelves, it won...
Writing historical fiction, it is impossible to ignore the overwhelming impact religion had on people's lives. It was not only the structure of organised religion, but the interwoven beliefs which dominated people's lives. Christianity, the religion which runs through most of my historical fiction, grew and survived with its ability to adapt as it spread from place to place and culture to culture, absorbing certain traditions as it powered on. I love Theology. I did my undergraduate degree in it, and it continues to remain a real interest of mine. I also love the idea of holding hands across history, seeing what my characters saw, and holding the same objects in my own hands as they or their peers did. Given the significance of religion and superstition throughout history, these things were common - although not necessarily accessible - and would have been understood by all. Religious iconography dominated Pre-Reformation Europe, speaking as a universal language to all. These ...