Sir Thomas More by Hals Holbein (Accessed via Wikipedia ) During lockdown, we had Time. Remember that? I was in my probationary year of teaching: almost certainly among the most exhausting years for any profession. All my time had been taken up with school work, and I regularly stayed at school until after 6pm, having arrived there at eight in the morning. Now, children, this is not sustainable and, very soon, I decided I didn’t like working where I was. Then I realised that I didn’t like teaching at all. But, in fact, neither was particularly true: I just needed to be true to myself and to say no, which would give me the ability to manage my work/life balance in a more appropriate way. What does this have to do with historical fiction, I hear you say? Well, during March 2020, we went into lockdown and suddenly I went from working ten-hour-days to ten-hour-weeks. I met up with my class on Google Meet, I put work up for them on a meticulously designed Google Classroom, but I just h...
Writing historical fiction, it is impossible to ignore the overwhelming impact religion had on people's lives. It was not only the structure of organised religion, but the interwoven beliefs which dominated people's lives. Christianity, the religion which runs through most of my historical fiction, grew and survived with its ability to adapt as it spread from place to place and culture to culture, absorbing certain traditions as it powered on. I love Theology. I did my undergraduate degree in it, and it continues to remain a real interest of mine. I also love the idea of holding hands across history, seeing what my characters saw, and holding the same objects in my own hands as they or their peers did. Given the significance of religion and superstition throughout history, these things were common - although not necessarily accessible - and would have been understood by all. Religious iconography dominated Pre-Reformation Europe, speaking as a universal language to all. These ...