This month's #HistFicThursdays have been all art-inspired, so I'm sticking with that theme! A couple of months ago, the Things to Inspire blog was about sketches . Today's is about finished pieces of artwork! Artwork has been an inspiration for millions of people across thousands of years. Just like a book, the finished product can (hopefully!) be an inspiration. Over the years, we've collected one or two pieces of old artworks, and these are a few... Religious artwork has always been used as an inspiration and, historically, this was how the majority of people interacted with biblical stories. This was a barn find - probably created for someone's own interest judging by the naive style of artwork. It looks like it might have been from a panelled wall at some point. I wonder what happened to the rest of the panels and what story they might show when they are all together... Of course, not all artworks are paintings! Here is a scrimshaw of the Battle of Flamborough
Today, I'm super-excited to be sharing a short story from the fabulous Gothic Horror writer, Judith Crow. Here is her Poe-inspired story, The Clockmaker...
The Clockmaker
I cannot sleep. I cannot allow myself to sleep. In sleep, Death may strike with as little awareness as warning, and I find myself refusing to accept unawareness at the moment of demise. Yet, I wish I were afforded others’ natural ignorance of the timing of death. In the names of heaven and hell: I both curse and envy them for their ignorance!
I, like others, started my final day with little to suggest it may be my last. I was in rude health when I arrived in London twelve days earlier, and today I took the time to call upon Sir Benjamin Pelham, a man I had served alongside in India. Twenty years ago, his interest in science and invention had lured him back to the English universities, while I had stayed abroad to make my fortune overseeing the collapse and redistribution of the once-mighty East India Company.
Sitting in the entrance hall and waiting for Pelham to return from his daily work, I found myself enchanted by a beautiful marble clock just inside the drawing room. I could not see its face, but the marble of its body was coloured by deep purple veins. Once, I heard it chime the hour: a clear, musical note which seemed to sing in perfect harmony with itself.
When Sir Benjamin arrived later, we sat together, and I informed him of the many things which had occupied me since last we had met. He did not immediately discuss his own research, but I assumed he was like many other inventors: fiercely guarding their intellectual property until a patent had been established. However, as I was leaving, I passed the beautiful marble clock and looked at it properly for the first time.
“Your clock has stopped, Pelham,” I pointed out.
Sir Benjamin shook his head. “Not stopped,” he said with a smile. “Only waiting.”
I now regret my decision to request an explanation.
“It is the project to which I have committed my past fifteen years. I have named it the Donne Clock. ‘Never send to know for whom the bell tolls; it tolls for thee’? Familiar to a Cambridge man such as yourself, surely?”
“I know the work,” I replied. “But what has Donne to do with this clock?”
Sir Benjamin smiled again.
“This clock is my genius,” he said, gazing at it with the paternal pride of a patriarch admiring their eldest son upon his wedding day. “I have created here a clock which does not tell the time, but an implement which betrays the time. The bell will never strike, save for when it senses that the final twelve hours of a nearby man are upon him.”
I cannot begin to describe the horror I felt as he went on: each syllable of his explanation condemning me to the grave. I wait now, as no man has a right to wait, knowing that Death is coming.
Knowing the exact day, hour, and minute of death.
The bell has tolled for me.
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