Middle Grade Settings: An Introduction Having photos in front of you can help you write about your settings I’m going to make a confession. Settings are not something I often spend time planning. Perhaps my stories are the poorer for it, but the settings come as I’m writing or editing. The Glass Room, in Taking Wing, is not something I planned before I started writing. Personally, I’m a very visual writer, seeing my characters as though they are a video in my head, and I write what I see. As such, the setting just happens! There are benefits and drawbacks to this. The main benefit is that the writing process is more interesting. Not everything is set, and my story can still give me surprises. The drawback is that, similar to AI, I cannot know that I’m not stealing settings from films and books I’ve seen/read previously. I certainly don’t mean to plagiarise but the concern is a real one! With that in mind, I have started to at least have a vague idea of my settings before I start t...
If you want to know how someone sees the world, give them a pencil. Right from an early age, we have a love of drawing. It's true that sometimes children's drawings can be a bit peculiar, but they are exactly how they view the world around them and there is something rather special about that. A few years ago, we bought a job-lot of books and bits-and-bobs at our local auction. There were some rather lovely things amongst them and, since they only cost a couple of pounds, they were better than bargainous! In them was a collector copy of a biography of the sculptor Alfred Gilbert, who famously created the statue of Eros in Picadilly Circus. As part of the book, there is a hand drawn sketch of one of his designs. It is somehow both messy and precise, giving an idea of how he worked through his ideas until the reached the desired conclusion. But this was not the greatest treasure in the collection - at least not for us! Buried in amongst the rest of the published and printed book...