Middle Grade Settings: An Introduction Having photos in front of you can help you write about your settings I’m going to make a confession. Settings are not something I often spend time planning. Perhaps my stories are the poorer for it, but the settings come as I’m writing or editing. The Glass Room, in Taking Wing, is not something I planned before I started writing. Personally, I’m a very visual writer, seeing my characters as though they are a video in my head, and I write what I see. As such, the setting just happens! There are benefits and drawbacks to this. The main benefit is that the writing process is more interesting. Not everything is set, and my story can still give me surprises. The drawback is that, similar to AI, I cannot know that I’m not stealing settings from films and books I’ve seen/read previously. I certainly don’t mean to plagiarise but the concern is a real one! With that in mind, I have started to at least have a vague idea of my settings before I start t...
I was warned ahead of this week that the theme of one of my blog posts would be “Share Your Shelf”. And, if I’m honest, I’ve been putting this one off because it was always destined to out me as a nerd of the highest (or should that be lowest?) order. My bedroom shelf contains very little in the way of fiction. It is largely stocked with books that have gathered more dust than an Egyptian mummy, and might one day find their way into a Museum of Nerdery. Specifically, my shelf runneth over with titles relating to either Scottish history and geography, or to seabirds. In some cases, my books are dedicated specifically to Scottish seabirds. As a boy, I was obsessed with how many pairs of Manx shearwater bred on the Isle of Rum, or how many gannets occupied the Bass Rock as opposed to St Kilda or Ailsa Craig. I was consumed by a need to visit all of the major seabird colonies around our shores. Ailsa Craig regrettably remains on my bucket list, but if you haven’t set foot on Hirta or the B...