Continuing from last week's post which explored Artwork as Inspiration (the starting point for Proof of the Old Faith ) I'm sticking with Norse culture. Here is The Weave of the Norns , a poem I wrote a few years ago about these three frightening women. Enjoy! The Norns by Arthur Rackham Weave of the Norns Beneath the threat of utter doom he sought them at their fabled loom. The king searched on until he found them on the morrow’s battleground. The tallest worked the wheel alone; the next, a shuttle made of bone; the shortest bore a silver sword with which she severed each loose cord. What pattern spun these women three, dictating mankind’s victory! “I come to beg you demonstrate a gentle weaving of our fate.” “Then know you this, oh man of peace, we weave the thread and cannot cease.” “Weave us an ending to this war and grant us threads of peace once more.” “What cost would such a wise man pay for us to change our weave this way?” And now he saw the bloody thread, time’s fabr
Writing Personifications
Most of us talk to people not inanimate objects, or else (in
the case of people like me) we talk to both.
But sometimes inanimate objects are central to a story’s plot. For example, if you’re writing a mystery or
crime novel, your characters want to maintain a certain air of unknown. They will probably become known for the coat
they wear, or the car they drive. As
authors we can throw our readers a hint by personifying these inanimate objects.
When I think of the power behind a good use of
personification, I always think of the parable of the blind men and the
elephant. It’s our human approach which
makes us see things in a certain way – within the confines of our own
understanding.
Metaphors are central to writing this way. Don’t say:
the car had wing mirrors like ears, ready to hear its master’s voice
Instead go for:
the car’s wing mirrors were ears, ready to hear its master’s voice
the car had wing mirrors like ears, ready to hear its master’s voice
Instead go for:
the car’s wing mirrors were ears, ready to hear its master’s voice
Here are a few things about personification:
- That reminds me... Most things remind us of someone, even if it’s a totally obscure link. This is when our minds start to imagine seeing people in things.
- But... personifications don’t have to be linked to real people or characters. Often when we see a face in something, or imagine an object having a mood, it’s not a link to a real person so much as a characteristic.
- The ultimate Red Herring! Your character’s preconceived ideas based on these personifications can throw readers way off the scent. They’re a great tool in thrillers, mysteries and crime novels.
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