I started writing my first book when I was still at school. It wasn't historical fiction, it was high fantasy, and it was the first of ten books, under the collective title The Watcher's Heir . I knew from the word go that it was going to have this number of books, although I didn't really work out exactly what would happen in each one. Twenty-five years on and the books are still not finished, although I now only have a couple more to go! Every Christmas I settle down and manage to write a chapter or two more, and every New Year it is my resolution to finish them. I suspect this will go on for a few years more. In the passage of time since then, I've written more than a dozen books. I can't quite pinpoint what it is which keeps obstructing the conclusion of these books. It could be that I am not the same person I was 25 years ago (who is?!), and so the voice which began the books is almost unrecognisable. It could be that I have now passed the age almost all of my ...
Writing Personifications
Most of us talk to people not inanimate objects, or else (in
the case of people like me) we talk to both.
But sometimes inanimate objects are central to a story’s plot. For example, if you’re writing a mystery or
crime novel, your characters want to maintain a certain air of unknown. They will probably become known for the coat
they wear, or the car they drive. As
authors we can throw our readers a hint by personifying these inanimate objects.
When I think of the power behind a good use of
personification, I always think of the parable of the blind men and the
elephant. It’s our human approach which
makes us see things in a certain way – within the confines of our own
understanding.
Metaphors are central to writing this way. Don’t say:
the car had wing mirrors like ears, ready to hear its master’s voice
Instead go for:
the car’s wing mirrors were ears, ready to hear its master’s voice
the car had wing mirrors like ears, ready to hear its master’s voice
Instead go for:
the car’s wing mirrors were ears, ready to hear its master’s voice
Here are a few things about personification:
- That reminds me... Most things remind us of someone, even if it’s a totally obscure link. This is when our minds start to imagine seeing people in things.
- But... personifications don’t have to be linked to real people or characters. Often when we see a face in something, or imagine an object having a mood, it’s not a link to a real person so much as a characteristic.
- The ultimate Red Herring! Your character’s preconceived ideas based on these personifications can throw readers way off the scent. They’re a great tool in thrillers, mysteries and crime novels.
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