With global events reaching a boiling point, I've been thinking quite a lot about what makes a hero or heroine. Because it's an historical fiction blog, that's what I'm focussing on, but I'm pretty sure these thoughts can pass over onto other genres too. The first thing is that the hero/ine does not have to be the main character. Tolkien said that Samwise Gamgee was the real hero of The Lord of the Rings (which can hardly come as a shock to anyone who has read it) but he was not the main - or even the second - character. If you are writing with an ensemble cast, this is a more obvious distinction. Chances are, if you have only one major character, they are also going to be the hero/ine. Next, consider that a hero/ine does not have to be right the whole time. The important thing about their decisions is twofold: They always do what they believe to be best for other people They always work (and hopefully achieve!) to put right any harm their choices have made These t...
Written by Michael Wray Illustrations by Anne Marshall Edited by Chris Firth ☆☆☆ I was born in Orkney, but I grew up in Lincolnshire. I went to primary school there and only moved back to Scotland after I had started at John Leggott College. As a result, I feel a certain connection with the place. Growing up in a village on the edge of the Lincolnshire Wolds, I was very aware of the ghost stories around where I lived. My mum grew up in Epworth, so I was well accustomed to the tale of Old Jeffery that is featured in this book. Our house, itself, was very old and I'm pretty sure it was haunted. It talked - creepy floorboards when no-one was there, doors closing when I couldn't feel a draught - that sort of thing. Close to our house there used to be a wood where apparently someone hanged themselves. We were also down the road from Thornton Abbey with its headless ghost who sometimes runs across the road. (The story, as I heard it, was that someone was fishi...