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Writing and Teaching: A Happy Mix

When my pupils find out that I'm a writer, there is a general air of fascination for a while. They Google my books and ask if they can buy them on Amazon (they can, but - by and large - they don't) and want to know why I need to teach if I'm a published author.  The answer is simple, of course: when I'm doing well, I break even as an author, I never make actual money.  But recently I've realised that being an English teacher is something I would continue even if I had a sudden jackpot win on the lottery. I love my job. Take today for example: I got to teach Seamus Heaney's Digging to a group of S1s, held a mock trial for Dr Frankenstein with my S3s, read a chapter of The Graveyard Book with my S2s, and - perhaps best of all - began the analysis of M.R. James' A Warning to the Curious with my S4 class. Who wouldn't want that job? I think writers make great English teachers - and editors make even better ones! We are used to spotting little details here an...

#HistFicThursdays - On a Sword's Edge - J R Tomlin - Guest Post

For this week's #HistFicThursdays blog, I'm delighted to be welcoming J R Tomlin to the blog with a guest post about her latest book On a Sword's Edge, as part of her Coffee Pot Book Club tour. In her guest post, she discusses a topic very close to home for Crowvus HQ(!): the impact of the Norse on Scotland. But first, let's meet the book...


Blurb

Scotland. 1263. The scent of rain mingles with the smoke of campfires as word spreads: the Norse are coming…

As tempers rise between King Alexander and the Norse King Haakon, at the center of it all is sixteen-year-old William Douglas, a squire in service to Sir John Stewart, Lord High Steward of Scotland.

When Haakon's fearsome fleet is espied approaching Scotland's shores, carrying the greatest invasion force the Norse have ever mustered, the dread of battle settles over the land. Summoned to Ayr Castle, William joins the Scottish forces in a desperate defense. Now tasked with serving his newly knighted brother, Hugh, William has little time to dwell on the fear – or thrill – of his first real taste of war.

And once the Norse's menacing line of ships finally touches shore, Scotland's fate may rest on more than noble titles and knightly deeds— it'll take the mettle of every soul on the ground for them to triumph.

Set against the wind-swept coast of medieval Scotland, On a Sword's Edge takes you right into the center of The Battle of Largs alongside a mere – yet fearless – squire.


On a Sword's Edge
is available via this Universal Link


Guest Post

Vikings were not a nation, tribe, or group, but the term appears to derive from Old Norse. While there is evidence that it was used during the Viking Age, its exact meaning is debated among people who debate such things. I believe it simply meant "raider," which is one widely accepted meaning.

In fiction, the terms Viking, Norse, and Dane have often been used incorrectly, causing many people mistakenly to believe they represent the same individuals or groups. For instance, the attackers in the Battle of Largs are frequently called Vikings, even though the Viking Age ended around 1050 CE, two hundred years before the battle took place.

There is even a Largs Viking Festival, which promotes itself as a way to "commemorate and embrace the historical and cultural links between these two great nations." The nation referred to is Norway, which was Norse. But were these people Vikings? No. "Viking" is simply a more exciting term for a festival than "Norse." There were strong trading ties between Scotland and Norway but these festivals always ignore that as not enough fun.

Obviously, the Viking Danes were Danish. Redundant much? Yet Wikipedia, unsurprisingly, gets it wrong and uses the term Norsemen for Vikings, as if to suggest that the Danes did not exist or engage in raiding. (One of many arguments against using Wikipedia for historical research.)

Most of the Vikings who raided Scotland and settled there were Norse. The end of the Viking Age did not mean that the thousands of Norse settlers in the Scottish Isles and mainland simply packed up and went back to Norway. Instead, from the Northern and Western Isles and the Hebrides to the mainland regions of Caithness, Sutherland, and much of Scotland's western seaboard, as far south as the Isle of Bute and Wester Ross, they swore fealty to the King of Norway.

In the Scottish Isles, the Norse seem to have replaced the native population, while on the mainland, such as in Wester Ross, they lived alongside it. Of course, they brought their language and culture with them.

Even today, Shetland is culturally distinct in many ways from mainland Scotland. The Up Helly Aa fire festival is one celebration of that distinctness. For example, you will rarely find Scottish tartan but frequently find Fair Isle knitting there. Those Isles also have a dialect of Scots with a Norse vocabulary and pronunciation. Norse law was followed in Shetland until the early 17th century.

Identifying other cultural contributions from the Norse is more challenging. The Norse had a rich tradition of singing, storytelling, laws, art, and architecture, which certainly influenced Scottish culture. Outside Shetland, much of this cultural heritage became mixed with local Scottish traditions. For instance, the caber toss may have Norse origins. Scots Gaelic and Scots likely contain hundreds of loanwords from Old Norse. There are countless Norse place names and other words as well. For example, "bairn" comes from the Old Norse "barn," meaning "a child, a son, or daughter." "Firth" is derived from the Old Norse word "fjǫrðr," meaning "a sea inlet."

Scotland has been a mix of cultural influences for a thousand years and which influences to credit can be hard to know. From the Irish migration, the English, the Norse, and the Normans, to incomers from all over the world today, Scotland is a healthy hotchpotch with local variations.   


Now, let's meet the author:

J. R. Tomlin is the author of more than twenty historical novels, set for the most part in Scotland. Her love of that nation is traced from the stories of King Robert the Bruce and the Good Sir James her grandmother read to her when she was small to hillwalking through the Cairngorms where the granite hills have a gorgeous red glow under the setting sun. Later, her writing was influenced by the work of authors such as Alexander Dumas, Victor Hugo, and of course, Sir Walter Scott.

When JR isn’t writing, she enjoys spending time hiking, playing with her Westie, and killing monsters in computer games. In addition to having lived in Scotland, she has traveled in the US, Europe and the Pacific Rim. She now lives in Oregon in the beautiful Pacific Northwest.


You can follow J R Tomlin on these links:
Keep up with the rest of the On a Sword's Edge tour stops by clicking on the banner below:

Comments

  1. Hi Clemency, Thanks for letting me talk a bit about the Norse influence in Scotland which of course was an important element in my new novel. All the best, JR

    ReplyDelete
  2. Thanks so much for hosting J R Tomlin today, with her thrilling new adventure, On a Sword's Edge.

    Take care,
    Cathie xx
    The Coffee Pot Book Club

    ReplyDelete

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