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#MGMonday... Middle Grade Settings

 Middle Grade Settings: An Introduction Having photos in front of you can help you write about your settings I’m going to make a confession. Settings are not something I often spend time planning. Perhaps my stories are the poorer for it, but the settings come as I’m writing or editing. The Glass Room, in Taking Wing, is not something I planned before I started writing. Personally, I’m a very visual writer, seeing my characters as though they are a video in my head, and I write what I see. As such, the setting just happens! There are benefits and drawbacks to this. The main benefit is that the writing process is more interesting. Not everything is set, and my story can still give me surprises. The drawback is that, similar to AI, I cannot know that I’m not stealing settings from films and books I’ve seen/read previously. I certainly don’t mean to plagiarise but the concern is a real one! With that in mind, I have started to at least have a vague idea of my settings before I start t...

#HistFicThursdays - Lost Landscapes - Ravenser Odd

 Be honest, who does not love the stories of Atlantis or Brigadoon or any other disappearing and disappeared world? World mysteries have always fascinated me, wondering what people imagined from these lost communities and - even more so - what they wanted them to be and represent.

The Destruction of Ravenser Odd

I stumbled across the history of Ravenser Odd entirely by chance. But what a chance! Here was a setting for a story, one which was almost Biblical in its existence and destruction. Unlike Dunwich, which gradually succumbed to the sea, Ravenser Odd was swallowed in a very short space of time, the final straw coming in The Great Drowning of Men on Saint Marcellus' Day 1362. As well as this, the town was in the Humber, an area with which I was very familiar, having lived in Barrow-upon-Humber for ten years and being an alumnus of Hull University.

Could there be a better setting for a historical fiction tale which was to be laced with horror? Well, I didn't think so.

The product was an 8,000 word story which tells the imagined truth behind the destruction of this town, who was to blame, and what was at stake. For saying this story was rather well received by readers, it has had a frustrating journey so far. I self-published it in a collection of short stories, then had it accepted for another publication on the condition I removed it from the collection... I'm still waiting on this... Any day now, that collection should be published!

Here's the first few lines to whet your appetite...

The end of Ravenser Odd came at a time when there were great changes beginning to grow across Europe. Those who had survived the plague were looking to rebuild lives and communities. Ravenser Odd now belonged to the past.

That symbolism is immense!

There is one more wonderfully enticing aspect of lost landscapes. Anything - anything at all - could have happened in them. And, as a writer, that is one of the most appealing and inspiring prospects!

If you would like to know more, have a look at Hull History Centre, who are currently holding an exhibition about Ravenser Odd.

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