Sir Thomas More by Hals Holbein (Accessed via Wikipedia ) During lockdown, we had Time. Remember that? I was in my probationary year of teaching: almost certainly among the most exhausting years for any profession. All my time had been taken up with school work, and I regularly stayed at school until after 6pm, having arrived there at eight in the morning. Now, children, this is not sustainable and, very soon, I decided I didn’t like working where I was. Then I realised that I didn’t like teaching at all. But, in fact, neither was particularly true: I just needed to be true to myself and to say no, which would give me the ability to manage my work/life balance in a more appropriate way. What does this have to do with historical fiction, I hear you say? Well, during March 2020, we went into lockdown and suddenly I went from working ten-hour-days to ten-hour-weeks. I met up with my class on Google Meet, I put work up for them on a meticulously designed Google Classroom, but I just h...
A couple of years ago, I wrote a blog post about Writing from Artefacts about a box of historical objects I received as a gift. Each month of 2024, I hope to build on this and introduce you to some of the artefacts I've gathered over the years. These are all things which have been - at least in part - inspirations for me, and I hope they will give you a few extra ideas along the way for your own writings... The old organ in Thomaskirche It's probably unsurprising that I'm starting with musical instruments, since music is my day job! There tends to be music in all my stories, and there is something very special about connecting to the music of the past. When I went on my German adventure in 2013, it was very special to visit Thomaskirche in Leipzig, where Bach was the Director of Music for more than quarter of a century. Here are three of my own little musical treasures... Music is something which is here to stay - its forward-facing legacy at least as long as its past. Wh...