Kay Harker and Cole Hawlings Picture accessed via BBC There are few things more Christmassy than the opening few bars of the theme tune to The Box of Delights . In fact, the tune is based on Victor Hely-Hutchinson's Carol Symphony and had been used in radio adaptations of the same novel years earlier than the 1984 television series. Clearly, everyone already knew that you just couldn't improve on that sound to evoke the magic of Christmas which - for me and for many - is so wonderfully explored in John Masefield's story. As a viewer, one of the things I enjoy most about the television series of The Box of Delights is the acting. Child actors are precarious things: too sweet and they're almost unbearable to watch, not sweet enough and they're unbelievable. They must walk that fine line between the two, and it is a perilous one! Most young actors fall into the first category, where their on-screen presence is almost dangerously saccharine. Not so the child actors ...
Review After the disaster which was my last read for this Challenge, I immediately realised that this book was perfect for laying that ghost to rest, which is topical because that is the theme of this entire story: Brigid Cleary is driven to avenge the brutal torture and murder of her mother, Bridget Cleary, who was a real-life victim of extreme domestic violence in 1895. A historical note at the beginning of the book shares the facts. Mathilda Zeller creates the world clearly and the characters are mostly very well developed. You find yourself longing for Brigid to find the peace that she's so desperate for; being thankful - or perhaps wishing - for friends like Florence and Adelaide, and falling in love with Edmund and willing him not to let you down. Perhaps the only character who convinced me less than entirely was Mr Baxby. I felt like the whole story could have been rewritten from his point of view and he would have been a sorry character. How lovely to be back with charact...