I love fantasy books, and I love adventure so, put those two genres together, and I get very excited! I was, therefore, delighted when I was offered the opportunity to review this book. The author sent me a copy in exchange for an honest review. The book can be purchased here. Summary Matthew is an average boy who doesn't realise his father is the Blademaster, a title given to one person capable of wielding the sword of the elements. This sword can metamorphosise, depending on what the Blademaster needs. The sword of wind can creating tornados, while the sword of water can manipulate (you guessed it!) water. When Matthew's father goes missing, and is presumed dead, Matthew is given a special book that can transport him to his father's native world. There, he finds out that he is the new Blademaster and begins a quest to seek out the evil Black Knights and hopes to find what happened to his father. Reviewing... The Plot I love stories about parallel worlds, and it's alw...
This week is Book Week Scotland, and this month is NaNoWriMo. This makes it a very busy time of year! For me as a writer, these two things have something in common: taking liberties with histories!
One of my favourite books by a Scottish author is Kidnapped. If you didn't love roguish characters before reading this (I always have done!) this book will change your mind, and you'll really be rooting for Alan Breck Stewart by the end. It's a book for all ages, and can be read on several levels.
But, although I loved this book, it taught me one very important thing about historical fiction: it doesn't have to be accurate. I'm not sure how I feel about the fact Robert Louis Stevenson knew the history, but still decided to change it - blatantly change it, too, since the dedication makes reference to it in the first paragraph!
I still love the book, though. It is a brilliant adventure through the countryside I know and love.
This NaNoWriMo, I'm attempting to write an adventure book - historical, of course. I am trying to write something in every genre I can, and this will tick adventure off the list. And I'm taking a few liberties along the way, although not quite so obviously as RLS! History evolves, and fiction is not the only thing which encourages this. There is a slant to each book you read - there has to be, or no one would have bothered writing it.
So, for the sake of my project, a dual-timeline novel called My Cloak Shall Be My Shroud, I'm attempting an approach with a slightly more relaxed attitude to historical accuracy. My hope was that it would be easier to do this and revisit the facts at the end in the editing stage. In practice, I still have eighteen internet windows of research open, mostly concerning the Roman legions in Britain, but ranging to caudles and disembowelled Jacobites.
But do you know what I've found? There is a certain amount of freedom to just writing and writing without having to worry about facts, and I also found I know more than I thought! Incorporating potential supernatural threads allows for a certain lenience, too. Early church history and the mysticism of conversions of the first British martyrs is heavily interwoven in the earlier timeline, and ghosts and shadowy forms haunt the later one. Throwing in these beliefs and superstitions allows a certain amount of artistic interpretation for events. And given the vague nature of timings and dates in that earlier period I, like RLS, have tweaked them to line up with what works for my story.
I'm not sure if this is an approach I'll keep for other projects but I have certainly made a discovery as I've plunged down the NaNoWriMo rabbit hole. Historical fiction does not need to be written as prescriptively as I always have done. I don't think I will ever be able to write a story I know to be inaccurate, but there are plenty of gaps in historical knowledge that we, as writers, can exploit.
In short: historical fiction does not need to be factual so much as true.
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