This month's #HistFicThursdays have been all art-inspired, so I'm sticking with that theme! A couple of months ago, the Things to Inspire blog was about sketches . Today's is about finished pieces of artwork! Artwork has been an inspiration for millions of people across thousands of years. Just like a book, the finished product can (hopefully!) be an inspiration. Over the years, we've collected one or two pieces of old artworks, and these are a few... Religious artwork has always been used as an inspiration and, historically, this was how the majority of people interacted with biblical stories. This was a barn find - probably created for someone's own interest judging by the naive style of artwork. It looks like it might have been from a panelled wall at some point. I wonder what happened to the rest of the panels and what story they might show when they are all together... Of course, not all artworks are paintings! Here is a scrimshaw of the Battle of Flamborough
It's #HistFicThursdays, and I'm so excited to be sharing a guest post from Carolyn Hughes, as part of her Coffee Pot Book Club tour. Find out all about family life in the fourteenth century, as it features and impacts on her book, Squire's Hazard. But first, let's meet the book...
Blurb
How do you overcome the loathing, lust and bitterness threatening you and your family’s honour?
It’s 1363, and in Steyning Castle, Sussex, Dickon de Bohun is enjoying life as a squire in the household of Earl Raoul de Fougère. Or he would be, if it weren’t for Edwin de Courtenay, who’s making his life a misery with his bullying, threatening to expose the truth about Dickon’s birth.
At home in Meonbridge for Christmas, Dickon notices how grown-up his childhood playmate, Libby Fletcher, has become since he last saw her and feels the stirrings of desire. Libby, seeing how different he is too, falls instantly in love. But as a servant to Dickon’s grandmother, Lady Margaret de Bohun, she could never be his wife.
Margery Tyler, Libby’s aunt, meeting her niece by chance, learns of her passion for young Dickon. Their conversation rekindles Margery’s long-held rancour against the de Bohuns, whom she blames for all the ills that befell her family, including her own servitude. For years she’s hidden her hunger for retribution, but she can no longer keep her hostility in check.
As the future Lord of Meonbridge, Dickon knows he must rise above de Courtenay’s loathing and intimidation, and get the better of him. And, surely, he must master his lust for Libby, so his own mother’s shocking history is not repeated? Of Margery’s bitterness, however, he has yet to learn…
Beset by the hazards these powerful and dangerous emotions bring, can young Dickon summon up the courage and resolve to overcome them?
Squire's Hazard is available on #KindleUnlimited via this Universal Link
Guest Post
Family life in the fourteenth century
Family life is an essential aspect of the stories of all The Meonbridge Chronicles. Sometimes children’s lives are the, or at least a, focus of the book’s storyline and, of course, sometimes those storylines are sad, but by no means always.
It can’t be denied that having children was generally much riskier in the Middle Ages than in the twenty-first century.
Of course, it started with simply being pregnant. “Natural” it might be, but the difficulties that some pregnant women experience now were almost certainly untreatable in the fourteenth century, indeed unrecognised for what they were. And imagine being pregnant when you were labouring in the fields from dawn to dusk, then returning home to a cold and dark, and possibly damp one-room cottage. Of course, women across our modern world still labour when they’re pregnant, but I think a medieval peasant woman’s lot must have been very hard. The sheer fact of being pregnant and giving birth posed a huge risk for both mother and child. Losses, of both pregnancies and babies, were inevitably high.
For those babies who did survive their birthing in the middle of the fourteenth century, a dangerous world awaited them. It was a time when plague stalked the land; when bad weather (testing enough these days for some of us) often upset the natural cycle of food production and brought famine to many; when the new baby stood a fair chance of dying from disease or malnutrition before it could even walk; and when, once a child was on the move, the risks of injury or death from accident or ignorance were manifold. Of course, risks still attend our lives today but, in the Middle Ages, childhood was a time of considerable hazard, and the low life expectancy overall for people of the time is reflected in the high mortality rate of children.
The life of a child in the Middle Ages, especially perhaps a peasant child, was certainly very different from one now. They were expected to work from an early age, perhaps as young as five. Peasant children would accompany their parents into the fields and work alongside them. Maybe they didn’t do a great deal of actual work, but they carried out simple tasks and learned the jobs their parents did, doing more and more as they grew older. Middle class children – say, the sons and daughters of artisans – might have it slightly easier. They might possibly get a little education, and they might be sent away at a relatively young age to be apprenticed to a craftsman – girls as well as boys. Otherwise, they stayed at home and worked alongside their parents, probably acting as skivvies but also beginning to learn the craft.
Even upper class children’s lives weren’t necessarily easy. As with Dickon, the eponymous squire in Squire’s Hazard, a boy might be sent away at the tender age of seven to learn to be a page and then a squire in another household. A girl might be dispatched to another household too, to learn to be a “lady’ under the watchful eye of a woman who was not her mother. Then they might be married off when they were still quite young, maybe as young as twelve or fourteen. Lower class people did not marry so young.
Inevitably, loss and grief come often to Meonbridge parents. The first Chronicle, Fortune’s Wheel, opens with a young boy’s death, and the recent birth of that boy’s sister. The boy’s death was caused by an accident in his father’s mill, but it came soon after his parents had lost five other children to the plague – the Black Death, as we call it (1349-50). It’s hard to imagine the devastation such great loss would bring. Even the arrival of another baby might not be enough to stem their grief…
In Book 4, Children’s Fate, plague returns (as it did in 1361). It was called the Children’s Plague, because so many who died were young. It is not known exactly why, but we. might speculate that those who died didn’t have the protection that their parents might have gained after having survived the earlier plague. But of course medieval people didn’t know about such things.
There were other worries too: I have already mentioned accidents, which were commonplace for children. Sometimes quite young children were left in charge of their younger siblings. So far, so normal. But in houses where the only form of heating was an open fire, and the roof was made of straw, one doesn’t need an especially vivid imagination to envisage the potential dangers. Farm implements were probably left lying about, ponds and rivers wouldn’t have been fenced, wells were undoubtedly uncapped – there were all manner of possible hazards to tempt the wandering child.
Then, as now, too, there were threats from other people. In Children’s Fate, young girls, ostensibly apprentices, are exploited by their unscrupulous mistress. In A Woman’s Lot, young boys find them in trouble, intimidated into mischief by a teenaged ruffian. In De Bohun's Destiny, Dickon, still a child, is attacked by his grandfather’s enemies. In Squire’s Hazard, a teenager now himself, Dickon is under threat again, this time from a bullying fellow squire.
None of this is exclusive to the Middle Ages, of course, there have always been people who exploit the young.
But, despite their relative hardship and perhaps greater chance of mistreatment of one sort of another, I am certain that children had fun too. They played. They laughed. They teased each other. Though I presume they had few toys, especially the poorer children. I have it that one or two Meonbridge fathers carved wooden animals for their little ones. I also have children themselves being creative, such as the little girl who “fashioned a little ship from a curl of tree bark” to serve as an Ark for her wooden animals.
I have no doubt that, despite all the possible doom and gloom, and the hard life endured by most of Meonbridge’s working people, their children would have brought them joy, just as ours do today. I am certain too that children were as much loved and cherished then as they are now. Parents would have had to face loss more often than we do, but I don’t believe they felt the loss of a child any less keenly than modern parents would. Though they might believe the child – assuming it was baptised – had gone to a better world.
Of course, all these experiences, both good and bad, are timeless. They happen now too, the agonies and the joys. The big difference, perhaps, is that, in medieval times, the losses were attended by both lack of knowledge and understanding, and the greater risk of them occurring.
If you’d like to read a few excerpts from my novels of passages about children, why not read this blog post:
Now, let's meet the author:
CAROLYN HUGHES has lived much of her life in Hampshire. With a first degree in Classics and English, she started working life as a computer programmer, then a very new profession. But it was technical authoring that later proved her vocation, as she wrote and edited material, some fascinating, some dull, for an array of different clients, including banks, an international hotel group and medical instruments manufacturers.
Having written creatively for most of her adult life, it was not until her children flew the nest several years ago that writing historical fiction took centre stage, alongside gaining a Master’s degree in Creative Writing from Portsmouth University and a PhD from the University of Southampton.
Squire’s Hazard is the fifth MEONBRIDGE CHRONICLE, and more stories about the folk of Meonbridge will follow.
You can connect with Carolyn through her website www.carolynhughesauthor.com and on social media.
Thank you for hosting Carolyn Hughes today, with such a fascinating post. x
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