Fantasy books certainly don't need any mythical creatures thrown into the mix, but doesn't it make it that bit more fun? My first published book with mythical creatures was Unicorns Rule. And, you guessed it, was about unicorns! It followed characters that I had invented back when I was in primary school, but I changed the story since then to make it (what I considered) better. When writing my unicorn character, I was carefully to keep to older myths and legends. None of that pooping rainbow rubbish! As always, I imagined what I would have wanted to read when I was younger. I design the books for a younger me, knowing that if I would have liked it, then there will be other children who enjoyed it too. The levellan, a very localised mythical creature, formed the basis for a story I wrote and serialised for my class in Lockdown. Check local stories to see if there is a creature you could use in your book. Other mythical creatures include the Nemean Lion (my own take on the lion ...
Being on this side of the pond, Thanksgiving Day was something which marked the start of the American Christmas in books and films. It wasn't until much later that I found out the background and, even now, I'm pretty sure I don't know it half as well as my Stateside friends.
The history of Thanksgiving, from a writer's point of view, is an absolute gift. Why? Because it encapsulates all the human emotions which combine to turn humans into people - or, in writer-speak: words into characters. It's one of those situations into which you can drop any one of your characters and use it to solidify your knowledge of them. Would they have been a native or an immigrant? Would they have been afraid, excited, or angry? According to the song, the immigrants shot at the natives to frighten them off, but did they do that because of a fear or an arrogance? Would they have survived in that environment?
And then, the best thing of all: the discovery that, just because a character started in one camp, it doesn't mean they will remain there. Just like the immigrants in 1620/21, they can come to better understand other people and situations, advancing and growing into three-dimensional people. This is what is called a character arc, and it is what we all do in real life, so our characters should do the same.
The story of Thanksgiving is really a redemption story. Two populations realising that they can demonstrate true humanity in working together rather than against one another. In this respect, it doesn't matter what genre you write. There is an example here in historical fiction, but in today's world people still create frictions between groups of people and, sadly, I suspect this will go on into the future.
But what the history of Thanksgiving really shows is that humanity has the ability to reach out to one another with fraternal love. So don't listen if people say your story or characters are far-fetched just because the heroes demonstrate this level of compassion and care. Because, the history of Thanksgiving shows us it in action. I love building my stories on the premise of Ī¦Ī¹Ī»Ī±Ī“ĪµĪ»ĻĪÆĪ± - brotherly love - which translates into the Latin alphabet as Philadelphia...
...that name sounds familiar!
[Although Philadelphia was founded 60 years later, so a few generations down the line.]
Happy Thanksgiving!
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