With global events reaching a boiling point, I've been thinking quite a lot about what makes a hero or heroine. Because it's an historical fiction blog, that's what I'm focussing on, but I'm pretty sure these thoughts can pass over onto other genres too. The first thing is that the hero/ine does not have to be the main character. Tolkien said that Samwise Gamgee was the real hero of The Lord of the Rings (which can hardly come as a shock to anyone who has read it) but he was not the main - or even the second - character. If you are writing with an ensemble cast, this is a more obvious distinction. Chances are, if you have only one major character, they are also going to be the hero/ine. Next, consider that a hero/ine does not have to be right the whole time. The important thing about their decisions is twofold: They always do what they believe to be best for other people They always work (and hopefully achieve!) to put right any harm their choices have made These t...
This Christmas holiday, we have found ourselves wandering around the house randomly singing snatches of songs from the genius that is Horrible Histories. This series of books-turned-TV-programmes is something which, until recently, I was never really interested in. I wasn't violently opposed to them, but I was exactly the wrong age for when they came out.
Since then, I've become something of a convert to the musical antics which were in the series and there hasn't been a day in the last month when I haven't woken up randomly singing a line from one of them!
My sister had and read all the books, even the special editions. And then - the best part of twenty years later! - another sister began to introduce us to some of the songs from the programme. Still less than 100% convinced, it was pointed out to me that there was a song for every period in history. This sounded like a throwing down of the gauntlet, but they did indeed manage to find me the song fitting for my current project.
Here it is:
The Borgia Family song certainly over-simplifies the slightly strange set-up which Pope Alexander VI had with his family, but it goes a long way towards introducing this topic to both a child and a newcomer (and, let's be honest, it is very irritating when people invade your personal space!). Although the Borgia family do eventually come into my book, I'm not quite there yet. Beyond what popular culture has put out there, particularly about Lucrezia, I didn't know much about them and I have to admit I found this song was exactly what I needed to whet my appetite and I leapt in with both feet to explore and research the intricacies and complicated relationships of this family.
Alexander VI's Coat of Arms
(Echando una mano)
This has provided a few problems of its own! Returning to normality and discovering that it was not in fact 1493 has been difficult. But I have had my deep love of both history and theology (the subjects of my degrees) rekindled by my research. The thing about authors living and breathing their work is that, as a historical fiction author, you always have to remind yourself that you have the gift of enabling time-travel without having all tricky parts of actually going back in time, but it comes at the expense of living life with a foot in the past as well as the present.
Still, love it or hate it, Horrible Histories certainly makes history accessible and it was enough to help my story to grow from a few vague ideas into a full-blown plot.
I aim to discuss one of these songs each month. Any requests, put them forward. Go on, historical fiction writers, try and find your Horrible Histories song - there's one for everyone!
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