It is that time again... Get ready for the return of #HistFicMay! For the first time, this #HistFicMay will be taking place predominantly on BSky, although I would encourage all writers to share the posts on any and all their social media channels. I'll be around on BSky, Facebook, and Instagram (if I can remember my password!) to share and like as many posts as I can. I am so excited to discover new authors and books, as well as reconnecting with the stalwarts who have been doing #HistFicMay over the last couple of years. There are a couple of extra optional hashtags this year (#WhatTheyKnowVsWhatTheyShow and #WritingHabits), but the all important one is #HistFicMay As always, please join in with as many or as few as you would like! So - choose your gargoyle! [the list of prompts is also available in text form at the bottom of this blog] #HistFicMay 1. Introduce yourself 2. Introduce your writing 3. Why Historical Fiction? 4. Do you write in any other genres/subgenres? 5....
Historical fiction is not a new idea, and the nineteenth century teemed with it. Literary giants like Walter Scott, Charles Kingsley and Robert Louis Stevenson all delved into the realms of the past to set their adventures, many of their stories recalling the bygone idealism of chivalry which was deemed as sorely missing from their own times. The restructuring of the class system, as the industrial revolution grew, created a certain amount of nostalgia and, from this, grew a renewed readership for the past.
This wasn't just happening in Britain and, in the spring of 1844, Alexandre Dumas serialised what was to become one of the best known stories in the world: "Les Trois Mousquetaires" or "The Three Musketeers". This remains a title thousands of people recognise, but only a fraction of them have read.
The Three Musketeers - yes, I read it in English because my French is limited to saying hello and goodbye - is my favourite book and I keep hoping to find a film which actually lives up to it. But I have finally come to accept that part of what I love the most about the book is the narrative and the shrewd observations made in the narrator's passing comments. It's witty, light-hearted, adventurous and fun, but it also features storylines which are dark and, in some cases, vindictively evil.
With spies and devious actions from both the politically-minded Cardinal Richelieu and the loyal musketeers, both sides are vying to out-do the other in wit and cunning. But, as in all good plots, nothing is black and white and, while modern interpretations have made the cardinal into the "bad guy", he is only persevering to protect what he deems important.
The final portion of the book is the part which elevates it far and away above most of its movie counterparts. If you're looking for a happy ending, be prepared for it to be tinged with sadness. The conclusion to this book is brilliantly real, with strong emotions, love, heartbreak and remorse all playing their part.
Overall, read this book! On the surface it is a fantastic swashbuckling adventure, but you can also delve deeper into the political undercurrents which run through every storyline in the book - and, yes, there are a good many of those!
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