The Curse of Heatherwell House (Working Title) came from a slightly different place than many of the other stories in this collection. When I decided that I was going to put together a collection of short stories with the theme of Gothic Horror, I quizzed Clemency on what would scare her. She said “zombies”. Not the easiest thing to work with for Gothic Horror – give me a ghost any day. Here are some thoughts about how I went about creating The Curse of Heatherwell House … Once I had spoken to Clem about the things she finds scary – and discovered which of my back catalogue she found the creepiest – I started to get an idea for a story. It involved a vicar (obviously the younger son of a wealthy family, as all these Gothic vicars seem to be) who took over gravedigging responsibilities because the rest of his parish were too sick to do it. I was pleased with the premise – and perhaps it will turn into another story. Watch this space… But there was one major sticking problem: whils...
Historical fiction is not a new idea, and the nineteenth century teemed with it. Literary giants like Walter Scott, Charles Kingsley and Robert Louis Stevenson all delved into the realms of the past to set their adventures, many of their stories recalling the bygone idealism of chivalry which was deemed as sorely missing from their own times. The restructuring of the class system, as the industrial revolution grew, created a certain amount of nostalgia and, from this, grew a renewed readership for the past.
This wasn't just happening in Britain and, in the spring of 1844, Alexandre Dumas serialised what was to become one of the best known stories in the world: "Les Trois Mousquetaires" or "The Three Musketeers". This remains a title thousands of people recognise, but only a fraction of them have read.
The Three Musketeers - yes, I read it in English because my French is limited to saying hello and goodbye - is my favourite book and I keep hoping to find a film which actually lives up to it. But I have finally come to accept that part of what I love the most about the book is the narrative and the shrewd observations made in the narrator's passing comments. It's witty, light-hearted, adventurous and fun, but it also features storylines which are dark and, in some cases, vindictively evil.
With spies and devious actions from both the politically-minded Cardinal Richelieu and the loyal musketeers, both sides are vying to out-do the other in wit and cunning. But, as in all good plots, nothing is black and white and, while modern interpretations have made the cardinal into the "bad guy", he is only persevering to protect what he deems important.
The final portion of the book is the part which elevates it far and away above most of its movie counterparts. If you're looking for a happy ending, be prepared for it to be tinged with sadness. The conclusion to this book is brilliantly real, with strong emotions, love, heartbreak and remorse all playing their part.
Overall, read this book! On the surface it is a fantastic swashbuckling adventure, but you can also delve deeper into the political undercurrents which run through every storyline in the book - and, yes, there are a good many of those!
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