With global events reaching a boiling point, I've been thinking quite a lot about what makes a hero or heroine. Because it's an historical fiction blog, that's what I'm focussing on, but I'm pretty sure these thoughts can pass over onto other genres too. The first thing is that the hero/ine does not have to be the main character. Tolkien said that Samwise Gamgee was the real hero of The Lord of the Rings (which can hardly come as a shock to anyone who has read it) but he was not the main - or even the second - character. If you are writing with an ensemble cast, this is a more obvious distinction. Chances are, if you have only one major character, they are also going to be the hero/ine. Next, consider that a hero/ine does not have to be right the whole time. The important thing about their decisions is twofold: They always do what they believe to be best for other people They always work (and hopefully achieve!) to put right any harm their choices have made These t...
Yesterday was Lord of the Rings Day. Every January, we sit down for an entire day and watch the three Lord of the Rings films back-to-back. And that's the extended versions. It's a perfect way to spend a January Saturday, when Christmas is over and before the gardening season truly begins and you feel bad for being inside! I thought yesterday, as I was crying at the Fellowship of the Ring, that I would do a blog post about Boromir and how he's actually a pretty awesome character. Then I thought, when I opened Blogger to write, that all of the Fellowship play important roles, and there's someone there who would appeal to everyone. So, in this 9 part series on characters, let's take each of the Fellowship and discuss the role they play in the story. What's their character arc? What's their purpose? You never know - it might teach us a thing or two about designing our own characters. WARNING: This contains spoilers. Obviously! The first one we're going to ...