Well, this is the last #HistFicThursday blog before I launch Beneath A Darkening Sky at an event in Thurso on Monday 13th . Shame it couldn't be a Friday 13th, but we can't have everything! One thing is for certain: October is the spookiest month. And not just because we have Halloween. Halloween could be a day later and October would still be the spookiest month... Look at how the light retreats at this time of the year: up here, the seasons' turning drains away the daylight at a rate of 2.5hours over the course of this month! Up here, anyway. Our ancestors knew, a long time before they tracked time using clocks, that this month we now call October was a time to look back at what has been and ahead to how we will survive the winter. Is it any wonder then that, with generations of people looking back, October became a month for souls and spectres? People we have loved and lost come back to visit our hearts, imaginations - and, perhaps, our homes - as we recall autumns of ...
Saturday 23rd November - Characters - Part Four – Conflicts
On Scrivener – my writing programme of choice – two of the headings on the character sketch pages is for internal and external conflicts. This is so important and will tell your readers all they need to know about the defining behaviours of your characters. You can take this as literally as you like.
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| Smiling on the outside, what conflicts are on the inside? |
Back when Facebook was still young (and I was much younger!), all those quizzes to find which character in X series you were most
like were about the coolest thing you could do, they could have been summed up
in two questions. What are your internal
conflicts? and What are your external conflicts? If you could match these two questions to a character,
you were definitely the most like them, never mind your eye colour or favourite
animal.
In writing, outward conflicts are the easiest to convey. Character A dislikes B because of C. These show clear signs to the reader through
the POV narrator, by their actions or words. It’s harder with internal conflicts. After all, all of your characters have them but, mostly, we don’t write
from all points of view...
So here are a few things to think about in securing your
characters’ conflicts:
- Only certain people say what they think – while this is the easiest way to disclose to your reader what inner conflicts your character is suffering, there are better, and more believable, ways to demonstrate this. Someone who is chronically shy is not going to announce to a full room that they’re feeling nervous!
- Conflicts are the gears of your character – every crucial moment in any story comes from a personal conflict of one of the characters coming to light. Your story grows in pace and involvement every time you use them.
- No one likes an infallible hero – you may think you do, but actually true heroics come from conquering conflicts rather than having none in the first place.
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