The events of the past week have brought home to me just how important the personal aspect and view of history are. One of the key questions I have both asked other authors and been asked myself, is whether there was a specific character they identify with. For my own part, I've always answered that there is a little bit of me in all my characters. And it's true. I have never based a character totally on myself because I have never belonged to a point in time except my own, I can't know how I would react! Now, I am less than a decade from my own lifespan encompassing the general 50-year gap for an historical fiction setting - a scary thought! Suddenly, my own early adventures are starting to sound like something from a historical novel. A few weeks ago, Crowvus published Child at the Pantry Door and, at the end of the month, we will be publishing the next issue of our journal Hooded: Memoirs . The personal aspect to both of these books is a crucial resource to historical ...
Saturday 23rd November - Characters - Part Four – Conflicts
On Scrivener – my writing programme of choice – two of the headings on the character sketch pages is for internal and external conflicts. This is so important and will tell your readers all they need to know about the defining behaviours of your characters. You can take this as literally as you like.
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| Smiling on the outside, what conflicts are on the inside? |
Back when Facebook was still young (and I was much younger!), all those quizzes to find which character in X series you were most
like were about the coolest thing you could do, they could have been summed up
in two questions. What are your internal
conflicts? and What are your external conflicts? If you could match these two questions to a character,
you were definitely the most like them, never mind your eye colour or favourite
animal.
In writing, outward conflicts are the easiest to convey. Character A dislikes B because of C. These show clear signs to the reader through
the POV narrator, by their actions or words. It’s harder with internal conflicts. After all, all of your characters have them but, mostly, we don’t write
from all points of view...
So here are a few things to think about in securing your
characters’ conflicts:
- Only certain people say what they think – while this is the easiest way to disclose to your reader what inner conflicts your character is suffering, there are better, and more believable, ways to demonstrate this. Someone who is chronically shy is not going to announce to a full room that they’re feeling nervous!
- Conflicts are the gears of your character – every crucial moment in any story comes from a personal conflict of one of the characters coming to light. Your story grows in pace and involvement every time you use them.
- No one likes an infallible hero – you may think you do, but actually true heroics come from conquering conflicts rather than having none in the first place.
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