Fantasy books certainly don't need any mythical creatures thrown into the mix, but doesn't it make it that bit more fun? My first published book with mythical creatures was Unicorns Rule. And, you guessed it, was about unicorns! It followed characters that I had invented back when I was in primary school, but I changed the story since then to make it (what I considered) better. When writing my unicorn character, I was carefully to keep to older myths and legends. None of that pooping rainbow rubbish! As always, I imagined what I would have wanted to read when I was younger. I design the books for a younger me, knowing that if I would have liked it, then there will be other children who enjoyed it too. The levellan, a very localised mythical creature, formed the basis for a story I wrote and serialised for my class in Lockdown. Check local stories to see if there is a creature you could use in your book. Other mythical creatures include the Nemean Lion (my own take on the lion ...
Saturday 23rd November - Characters - Part Four – Conflicts
On Scrivener – my writing programme of choice – two of the headings on the character sketch pages is for internal and external conflicts. This is so important and will tell your readers all they need to know about the defining behaviours of your characters. You can take this as literally as you like.
 |
| Smiling on the outside, what conflicts are on the inside? |
Back when Facebook was still young (and I was much younger!), all those quizzes to find which character in X series you were most
like were about the coolest thing you could do, they could have been summed up
in two questions. What are your internal
conflicts? and What are your external conflicts? If you could match these two questions to a character,
you were definitely the most like them, never mind your eye colour or favourite
animal.
In writing, outward conflicts are the easiest to convey. Character A dislikes B because of C. These show clear signs to the reader through
the POV narrator, by their actions or words. It’s harder with internal conflicts. After all, all of your characters have them but, mostly, we don’t write
from all points of view...
So here are a few things to think about in securing your
characters’ conflicts:
- Only certain people say what they think – while this is the easiest way to disclose to your reader what inner conflicts your character is suffering, there are better, and more believable, ways to demonstrate this. Someone who is chronically shy is not going to announce to a full room that they’re feeling nervous!
- Conflicts are the gears of your character – every crucial moment in any story comes from a personal conflict of one of the characters coming to light. Your story grows in pace and involvement every time you use them.
- No one likes an infallible hero – you may think you do, but actually true heroics come from conquering conflicts rather than having none in the first place.
Comments
Post a Comment