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#HistFicThursdays - Introducing this 2026's #HistFicMay Prompts

 It's back for another year... Welcome to this year's #HistFicMay! I know a number of writers like to have these prompt in advance so that you can line up a few answers, so it seemed like a good time to share them. Of course, the aim of #HistFicMay is to celebrate both the fantastic network of historical fiction writers and their books, so even if you don't use the prompts, hopefully you can use the hashtag on your social media to discover fabulous authors and writings. And here they are: Introduce yourself and your writing Who inspired you to become a writer? Standalone or series? Do you always/ever write happy ever afters? One time period or dual (or more!) timeline? What is your favourite era to write about? What is your favourite era to read about? Let's talk about research... What has been your greatest research discovery? Which source do you always go back to? What's your strangest rabbit hole? Has research ever driven you mad? If you could time travel, when w...
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NaNoWriMo Day 22 - Illustrations


Friday 22nd November – Illustrations

I respond best to visual learning styles. I’m always looking for pictures. Whether it’s a pre-existing landscape just begging to be photographed, or the words of a writer on the page calling out to be transformed into art.



I’m not the best artist in the world, but I can make a decent attempt at drawing. But the hardest thing about illustrating a book is pleasing the author, while the hardest thing about having your own work illustrated is relinquishing your hold on it.



So, what I tend to do now is wait to be asked to illustrate things, or else I illustrate my own stories. Over the last few years, I’ve offered to illustrate people’s favourite poems for National Poetry Day, and this year I had my first published illustrations in “Rosie Jane and the Swadgrump”. When we launched the book in the school, the thing which most impressed the children was how I’d managed to do the characters' hair(!) and how I’d reproduced the same character, from scratch, in every picture. Their awe really gave a newbie like me a massive confidence boost! This was the first time I’d shared any of my digital graphics with the world, creating most of the pictures in strong, bold colours using the computer’s shades rather than my own.

One thing I’ve learnt (although, not always done!), is not to fill a picture. Look at the needs of your audience, and the needs of the illustration itself. Sometimes, empty spaces aren’t blanks, they’re vacuums which draw the reader in.



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