Middle Grade Settings: An Introduction Having photos in front of you can help you write about your settings I’m going to make a confession. Settings are not something I often spend time planning. Perhaps my stories are the poorer for it, but the settings come as I’m writing or editing. The Glass Room, in Taking Wing, is not something I planned before I started writing. Personally, I’m a very visual writer, seeing my characters as though they are a video in my head, and I write what I see. As such, the setting just happens! There are benefits and drawbacks to this. The main benefit is that the writing process is more interesting. Not everything is set, and my story can still give me surprises. The drawback is that, similar to AI, I cannot know that I’m not stealing settings from films and books I’ve seen/read previously. I certainly don’t mean to plagiarise but the concern is a real one! With that in mind, I have started to at least have a vague idea of my settings before I start t...
Written by Michael Wray Illustrations by Anne Marshall Edited by Chris Firth ☆☆☆ I was born in Orkney, but I grew up in Lincolnshire. I went to primary school there and only moved back to Scotland after I had started at John Leggott College. As a result, I feel a certain connection with the place. Growing up in a village on the edge of the Lincolnshire Wolds, I was very aware of the ghost stories around where I lived. My mum grew up in Epworth, so I was well accustomed to the tale of Old Jeffery that is featured in this book. Our house, itself, was very old and I'm pretty sure it was haunted. It talked - creepy floorboards when no-one was there, doors closing when I couldn't feel a draught - that sort of thing. Close to our house there used to be a wood where apparently someone hanged themselves. We were also down the road from Thornton Abbey with its headless ghost who sometimes runs across the road. (The story, as I heard it, was that someone was fishi...