Welcome, Readers! During the next few weeks, you can expect to find a blog post popping up every Monday to Friday. This is because September is full of brilliant bookish adventures, be that as a reader or as a writer, and we are so excited to be sharing them with you. We're dedicating September to new stories, old classics, timeless adventures, and promising tales. Here are the things you can look forward to: 16th September - the launch of All the Time in the World by Elizabeth McKay. This is the story of Jake and Abi, a brother and sister who stumble into a realm where time is not measured in the usual way, but where there are those who seek to control it for their own ends. 30th September - our tenth Crowvus Ghost Story Competition . Have you got a spooky story to share? Can you write a haunting tale in 4,000 words or less? This year is a big one so, in addition to publication, we're including a small monetary prize for all the shortlisted stories. For all the Ts&Cs, h...
Saturday 23rd November - Characters - Part Four – Conflicts
On Scrivener – my writing programme of choice – two of the headings on the character sketch pages is for internal and external conflicts. This is so important and will tell your readers all they need to know about the defining behaviours of your characters. You can take this as literally as you like.
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| Smiling on the outside, what conflicts are on the inside? |
Back when Facebook was still young (and I was much younger!), all those quizzes to find which character in X series you were most
like were about the coolest thing you could do, they could have been summed up
in two questions. What are your internal
conflicts? and What are your external conflicts? If you could match these two questions to a character,
you were definitely the most like them, never mind your eye colour or favourite
animal.
In writing, outward conflicts are the easiest to convey. Character A dislikes B because of C. These show clear signs to the reader through
the POV narrator, by their actions or words. It’s harder with internal conflicts. After all, all of your characters have them but, mostly, we don’t write
from all points of view...
So here are a few things to think about in securing your
characters’ conflicts:
- Only certain people say what they think – while this is the easiest way to disclose to your reader what inner conflicts your character is suffering, there are better, and more believable, ways to demonstrate this. Someone who is chronically shy is not going to announce to a full room that they’re feeling nervous!
- Conflicts are the gears of your character – every crucial moment in any story comes from a personal conflict of one of the characters coming to light. Your story grows in pace and involvement every time you use them.
- No one likes an infallible hero – you may think you do, but actually true heroics come from conquering conflicts rather than having none in the first place.
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