Today's #HistFicThursdays blog is a fantastic guest post from Apple Gidley , as part of her Coffee Pot Book Club tour! Read on to find out about her treasure hunt of research and how she used it to bring her new book, Annie's Day , to life. But first, let's meet the book... Blurb War took everything. Love never had a chance. Until now. As an Australian Army nurse, Annie endures the brutalities of World War II in Singapore and New Guinea. Later, seeking a change, she accepts a job with a British diplomatic family in Berlin, only to find herself caught up in the upheaval of the Blockade. Through it all, and despite the support of friends, the death of a man she barely knew leaves a wound that refuses to heal, threatening her to a life without love. Years later, Annie is still haunted by what she’d lost—and what might have been. Her days are quiet, but her memories are loud. When a dying man’s fear forces her to confront her own doubts, she forms an unexpected frie...
Saturday 23rd November - Characters - Part Four – Conflicts
On Scrivener – my writing programme of choice – two of the headings on the character sketch pages is for internal and external conflicts. This is so important and will tell your readers all they need to know about the defining behaviours of your characters. You can take this as literally as you like.
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| Smiling on the outside, what conflicts are on the inside? |
Back when Facebook was still young (and I was much younger!), all those quizzes to find which character in X series you were most
like were about the coolest thing you could do, they could have been summed up
in two questions. What are your internal
conflicts? and What are your external conflicts? If you could match these two questions to a character,
you were definitely the most like them, never mind your eye colour or favourite
animal.
In writing, outward conflicts are the easiest to convey. Character A dislikes B because of C. These show clear signs to the reader through
the POV narrator, by their actions or words. It’s harder with internal conflicts. After all, all of your characters have them but, mostly, we don’t write
from all points of view...
So here are a few things to think about in securing your
characters’ conflicts:
- Only certain people say what they think – while this is the easiest way to disclose to your reader what inner conflicts your character is suffering, there are better, and more believable, ways to demonstrate this. Someone who is chronically shy is not going to announce to a full room that they’re feeling nervous!
- Conflicts are the gears of your character – every crucial moment in any story comes from a personal conflict of one of the characters coming to light. Your story grows in pace and involvement every time you use them.
- No one likes an infallible hero – you may think you do, but actually true heroics come from conquering conflicts rather than having none in the first place.
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