Happy New Year, Readers! New Year (only last week) seems like an eternity ago. The reason being that we have been snowed in for almost every single one of those days. For me, this has been amazing. I love winter (it's my favourite season) and we managed to build snowmen, go sledging, and have all kinds of wintry fun and games. Because of this, it seems like ages since I drew up a few ideas for new year resolutions. I'm not very good at sticking to my resolutions, but I'm hopeful that I might manage more than a week with this year's! They are not all to do with writing (I'm determined to get better posture, too), and they are more long-term aims and goals than anything I will slog away at all year round, but here are one or two of them... Firstly, I want to finish writing the first draft of The Nobility of Caledon , which is Book 5 in the Caledon series. Book 3, The Strength of Caledon , will be launched in August this year, so I really need to get a move on with co...
Saturday 23rd November - Characters - Part Four – Conflicts
On Scrivener – my writing programme of choice – two of the headings on the character sketch pages is for internal and external conflicts. This is so important and will tell your readers all they need to know about the defining behaviours of your characters. You can take this as literally as you like.
 |
| Smiling on the outside, what conflicts are on the inside? |
Back when Facebook was still young (and I was much younger!), all those quizzes to find which character in X series you were most
like were about the coolest thing you could do, they could have been summed up
in two questions. What are your internal
conflicts? and What are your external conflicts? If you could match these two questions to a character,
you were definitely the most like them, never mind your eye colour or favourite
animal.
In writing, outward conflicts are the easiest to convey. Character A dislikes B because of C. These show clear signs to the reader through
the POV narrator, by their actions or words. It’s harder with internal conflicts. After all, all of your characters have them but, mostly, we don’t write
from all points of view...
So here are a few things to think about in securing your
characters’ conflicts:
- Only certain people say what they think – while this is the easiest way to disclose to your reader what inner conflicts your character is suffering, there are better, and more believable, ways to demonstrate this. Someone who is chronically shy is not going to announce to a full room that they’re feeling nervous!
- Conflicts are the gears of your character – every crucial moment in any story comes from a personal conflict of one of the characters coming to light. Your story grows in pace and involvement every time you use them.
- No one likes an infallible hero – you may think you do, but actually true heroics come from conquering conflicts rather than having none in the first place.
Comments
Post a Comment