With global events reaching a boiling point, I've been thinking quite a lot about what makes a hero or heroine. Because it's an historical fiction blog, that's what I'm focussing on, but I'm pretty sure these thoughts can pass over onto other genres too. The first thing is that the hero/ine does not have to be the main character. Tolkien said that Samwise Gamgee was the real hero of The Lord of the Rings (which can hardly come as a shock to anyone who has read it) but he was not the main - or even the second - character. If you are writing with an ensemble cast, this is a more obvious distinction. Chances are, if you have only one major character, they are also going to be the hero/ine. Next, consider that a hero/ine does not have to be right the whole time. The important thing about their decisions is twofold: They always do what they believe to be best for other people They always work (and hopefully achieve!) to put right any harm their choices have made These t...
Today was supposed to be a book review day, but with everything that is currently needing attention, I haven't got round to reading my backlist yet and, rather than skim read one of the books, I would rather do it the credit of giving my full attention. So, I thought, that I would introduce my favourite book from when I was little. The Moon of Gomrath is a fantasy adventure, which I partially credit with my love of the genre. It is heavily woven with myths and legends from rural England and, while I grew up many miles away from Alderley Edge where the book is set, I could imagine the story happening close to where I lived in another corner of the English countryside. The book is actually the sequel to The Weirdstone of Brisingamen but I read them out of sync, and it didn't matter. Sure, there were parts that made more sense once I'd read the first book, but I managed well enough. The first book is great, too, but I don't have the same attachment to it. There are mythic...