Middle Grade Settings: An Introduction Having photos in front of you can help you write about your settings I’m going to make a confession. Settings are not something I often spend time planning. Perhaps my stories are the poorer for it, but the settings come as I’m writing or editing. The Glass Room, in Taking Wing, is not something I planned before I started writing. Personally, I’m a very visual writer, seeing my characters as though they are a video in my head, and I write what I see. As such, the setting just happens! There are benefits and drawbacks to this. The main benefit is that the writing process is more interesting. Not everything is set, and my story can still give me surprises. The drawback is that, similar to AI, I cannot know that I’m not stealing settings from films and books I’ve seen/read previously. I certainly don’t mean to plagiarise but the concern is a real one! With that in mind, I have started to at least have a vague idea of my settings before I start t...
I know I've posted a couple of times already about this object, but today I'm adding an extra slant to it, exploring the myths and stories of mirrors and the supernatural. If you would like to read about how I came by the mirror in the first place, have a look at this blog . I've wondered multiple times if this object was a great big hoax - certainly, there seems to be nothing about John and Ann anywhere - but it almost doesn't matter. The wood, the nails and the glass itself are all of a decent age, and there is no impossibility in the eyes of a writer. Recently, I was struck by how much light the stained and marked surface produces. One night, on a near-full moon, it was enough to throw a long stretch of light about twenty times its own size across the room. It must have seemed equally frightening and enthralling for people in the past, that this flat, cold surface could redirect not only light but heat. But mirrors were not readily available for many people until ve...