Kay Harker and Cole Hawlings Picture accessed via BBC There are few things more Christmassy than the opening few bars of the theme tune to The Box of Delights . In fact, the tune is based on Victor Hely-Hutchinson's Carol Symphony and had been used in radio adaptations of the same novel years earlier than the 1984 television series. Clearly, everyone already knew that you just couldn't improve on that sound to evoke the magic of Christmas which - for me and for many - is so wonderfully explored in John Masefield's story. As a viewer, one of the things I enjoy most about the television series of The Box of Delights is the acting. Child actors are precarious things: too sweet and they're almost unbearable to watch, not sweet enough and they're unbelievable. They must walk that fine line between the two, and it is a perilous one! Most young actors fall into the first category, where their on-screen presence is almost dangerously saccharine. Not so the child actors ...
I know I've posted a couple of times already about this object, but today I'm adding an extra slant to it, exploring the myths and stories of mirrors and the supernatural. If you would like to read about how I came by the mirror in the first place, have a look at this blog . I've wondered multiple times if this object was a great big hoax - certainly, there seems to be nothing about John and Ann anywhere - but it almost doesn't matter. The wood, the nails and the glass itself are all of a decent age, and there is no impossibility in the eyes of a writer. Recently, I was struck by how much light the stained and marked surface produces. One night, on a near-full moon, it was enough to throw a long stretch of light about twenty times its own size across the room. It must have seemed equally frightening and enthralling for people in the past, that this flat, cold surface could redirect not only light but heat. But mirrors were not readily available for many people until ve...