Sir Thomas More by Hals Holbein (Accessed via Wikipedia ) During lockdown, we had Time. Remember that? I was in my probationary year of teaching: almost certainly among the most exhausting years for any profession. All my time had been taken up with school work, and I regularly stayed at school until after 6pm, having arrived there at eight in the morning. Now, children, this is not sustainable and, very soon, I decided I didn’t like working where I was. Then I realised that I didn’t like teaching at all. But, in fact, neither was particularly true: I just needed to be true to myself and to say no, which would give me the ability to manage my work/life balance in a more appropriate way. What does this have to do with historical fiction, I hear you say? Well, during March 2020, we went into lockdown and suddenly I went from working ten-hour-days to ten-hour-weeks. I met up with my class on Google Meet, I put work up for them on a meticulously designed Google Classroom, but I just h...
Today is the last of a series on nine interviews I'm sharing on the Crowvus Book Blog. These are from the authors of the short stories included in the Masterworks anthology by the Historical Writers Forum . We're running through chronologically, some are video interviews, others are written. I am delighted to welcome the fantastic Samantha Wilcoxson, who is sharing the artist inspiration for her short story Legacy , as well as the appeal of James A. Hamilton, and the delights of researching. First of all, tell us a little bit about yourself, what you write (besides Masterworks!), and what inspired you to begin writing. I was inspired to write by my love of reading. After watching me read, write reviews, and keep journals for twenty years, my husband asked me why I didn’t try writing, so I did! Without really planning on it, I ended up writing historical biographical fiction. I’m drawn to a tragic tale but also to lesser known historical figures with emotive stor...