Kay Harker and Cole Hawlings Picture accessed via BBC There are few things more Christmassy than the opening few bars of the theme tune to The Box of Delights . In fact, the tune is based on Victor Hely-Hutchinson's Carol Symphony and had been used in radio adaptations of the same novel years earlier than the 1984 television series. Clearly, everyone already knew that you just couldn't improve on that sound to evoke the magic of Christmas which - for me and for many - is so wonderfully explored in John Masefield's story. As a viewer, one of the things I enjoy most about the television series of The Box of Delights is the acting. Child actors are precarious things: too sweet and they're almost unbearable to watch, not sweet enough and they're unbelievable. They must walk that fine line between the two, and it is a perilous one! Most young actors fall into the first category, where their on-screen presence is almost dangerously saccharine. Not so the child actors ...
The second novel I ever finished - and still is nowhere near publishing standard! - was about two dragoons in the Crimean War. It fits in with my Family Saga through a certain Colonel Josiah Tenterchilt, but the plot really focuses on the two younger officers. It became apparent as I wrote it, that the relationship between these cavalrymen and their horses were as significant as any they shared with other people. A little research soon revealed that it was Drummer Boy, an equine part of the fateful Charge of the Light Brigade (ridden by Lt Col de Salis of the 8th Hussars), who was the first animal in the British Army to receive a war medal. How strange that it took until 1854 for these service animals to be fully recognised. Of the 700 horses involved, less than 200 returned. But this provided me with all the inspiration I needed to explore the love and appreciation between cavalrymen and their steeds, and so I began to explore the fascinating bond between man and beast. “What is the t...