Middle Grade Settings: An Introduction Having photos in front of you can help you write about your settings I’m going to make a confession. Settings are not something I often spend time planning. Perhaps my stories are the poorer for it, but the settings come as I’m writing or editing. The Glass Room, in Taking Wing, is not something I planned before I started writing. Personally, I’m a very visual writer, seeing my characters as though they are a video in my head, and I write what I see. As such, the setting just happens! There are benefits and drawbacks to this. The main benefit is that the writing process is more interesting. Not everything is set, and my story can still give me surprises. The drawback is that, similar to AI, I cannot know that I’m not stealing settings from films and books I’ve seen/read previously. I certainly don’t mean to plagiarise but the concern is a real one! With that in mind, I have started to at least have a vague idea of my settings before I start t...
The second novel I ever finished - and still is nowhere near publishing standard! - was about two dragoons in the Crimean War. It fits in with my Family Saga through a certain Colonel Josiah Tenterchilt, but the plot really focuses on the two younger officers. It became apparent as I wrote it, that the relationship between these cavalrymen and their horses were as significant as any they shared with other people. A little research soon revealed that it was Drummer Boy, an equine part of the fateful Charge of the Light Brigade (ridden by Lt Col de Salis of the 8th Hussars), who was the first animal in the British Army to receive a war medal. How strange that it took until 1854 for these service animals to be fully recognised. Of the 700 horses involved, less than 200 returned. But this provided me with all the inspiration I needed to explore the love and appreciation between cavalrymen and their steeds, and so I began to explore the fascinating bond between man and beast. “What is the t...