Kay Harker and Cole Hawlings Picture accessed via BBC There are few things more Christmassy than the opening few bars of the theme tune to The Box of Delights . In fact, the tune is based on Victor Hely-Hutchinson's Carol Symphony and had been used in radio adaptations of the same novel years earlier than the 1984 television series. Clearly, everyone already knew that you just couldn't improve on that sound to evoke the magic of Christmas which - for me and for many - is so wonderfully explored in John Masefield's story. As a viewer, one of the things I enjoy most about the television series of The Box of Delights is the acting. Child actors are precarious things: too sweet and they're almost unbearable to watch, not sweet enough and they're unbelievable. They must walk that fine line between the two, and it is a perilous one! Most young actors fall into the first category, where their on-screen presence is almost dangerously saccharine. Not so the child actors ...
As a child, there was no book scarier than the Weetabix history book's page about The Black Death. Forget horror or ghosts, plague was really scary! It took me a long time to realise that "plague" did not refer to a single event, too. One of the things which led me to this was trying to make sense of the much-loved book The Children of Green Knowe , in which the ghostly children died in the plague three-hundred years after I knew The Black Death had occurred. I don't know at which point I became fascinated with the history of medicine but, around that time, I stopped being so scared of the plague. When, years later, I began writing Day's Dying Glory , one of the key characters just had to be a doctor. Doctor Fotherby became central to what grew into a family saga. Reluctant to let him go, he had a very long life before I conceded that I just could feasibly have him lasting much longer! But Doctor Fotherby belonged to the 18th/19th Centuries, long after this song ...